Niels Bohr (Niels Henrik David Bohr) Quotes
Quotes to Explore
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I think I'm somebody who takes praise with a very big - probably too big - pinch of salt.
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I think it was a good challenge for me to get my reactions across without being able to speak.
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People tweet before they think, and it becomes obsessive.
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I think the most successful are the most paranoid. The first thing people do when they buy a mansion is they build the biggest wall you could possibly build around it. What happens is, now you become a target. If I go into the hood, I'm at a disadvantage. They could carry guns. I can't. They can hit me in the face. I can't.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I think that I have self esteem issues, really. If you really analyse it... People who really like me I have no interest in. The unattainable is always that I want to attain.
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I think any actor hopes to have variety and range in what they do. Everybody has a certain range, so you take on roles to expand that the best you can... See things a little differently and whatnot.
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I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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I think I would make a good spy. I can sort of be a chameleon. People don't notice me very easily. I never get recognized.
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I think on a whole host of issues Washington tends to be a lagging indicator on public opinion.
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I think legally we have to do 'fun' with a period. I think we agreed because apparently there was another band called 'fun.' We Google-searched, which now makes sense because we're so impossible to Google-search.
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I think the thing that I get most excited about is the fact that I know I'm gonna have a great match. That's when I get the butterflies. When it's just a regular match or something like that, I may not get that.
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I think the Matrix effect is over-used and I don't do it anymore.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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I've had meetings with Fidel Castro. I've had meetings with Kim Il-Sung. I've had meetings with other dictators. I've met with the Butcher of Beijing. You know, I think it's important to hear, you know, each other's perspective.
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I think fractures in your childhood make you observe the world more as an outsider. Possibly it pushes you outside.
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I'm not afraid of death, but I resent it. I think it's unfair and irritating.
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I think I'm a nervous laugher. Like, when you're in a situation that you don't know what's going on, you go to laughter more than anything.
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I think I rely on my talent more than my brain sometimes.
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One demonstrable effect this type of work can have is in its viral promulgation. Take Kathy Acker for example: her work exists mainly through academic channels. Students are exposed to her novels, and some read her, then, on their own, but some also go to grad school: teach her, write about her, keep her going.
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When you make new musicals, you have the great freedom and the great burden that it can be changed.
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
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Never express yourself more clearly than you are able to think.
