Stephen Collins (Stephen Weaver Collins) Quotes
Quotes to Explore
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Choreography and creativity - it's my matrix; let's see where we can move.
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I did every job under the sun from bartending to ushering to temping.
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When the whole world is silent, even one voice becomes powerful.
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There's a certain fear of simplicity. I think that's the thing, when you're younger as an artist, you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
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I'm going to fight to the death for a public option.
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Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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My personal experience has been that in my 25 years of writing, I have not been asked to do more than four or five commercial one-shot scripts. These were performed on major national hook-ups but produced for me no immediate additional jobs or requests. One script for BBC was done around the world with an all-star cast.
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If it sells, it sells. If it doesn't sell, I'll go make a movie.
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Countless hours of physical therapy - and the talents of the medical community - have brought me new movement in my right arm. It's fractional progress, and it took a long time, but my arm moves when I tell it to.
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Popular music has always been rooted in the blues, whether it's Adele or Led Zeppelin or Sam Cooke. It's just the beat that changes.
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I have some amazing fans! They're just so dedicated and so nice and so sweet. I'm, like, no one and I'm just starting out, and these people appreciate your work and it's nice to hear that.
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In all the broad Universe there is no other hope for Man than ourselves.
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The King himself should be under no man, but under God and the Law.
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I believe forgiveness is possible for everybody, for everything, but I'm a Buddhist.
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'Be faithful to your roots' is the liberal version of 'Stay in your ghetto.'
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An artist's career always begins tomorrow.
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The 'Grace of Kings' isn't a narrative about a return to some golden age, to a lost status quo ante. It portrays a dynamic world in transition, where the redistribution of power is messy, morally ambivalent, and only lurches toward more justice.
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It's the decomposition that gets me. You spend your whole life looking after your body. And then you rot away.
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I didn't even respect singers until I heard Ray Charles, Frank Sinatra and Louis Armstrong.
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For the state of our union to be strong, we need to place value in Americans.
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Your body is like a machine, and if you don't keep it in shape, it holds you back. You don't want anything holding you back, especially yourself.
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There were some things that I found I really enjoyed singing about; like, on the title track, there's this film-noir character of a woman who's sort of losing it in a room.
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Every time I do a film, I have to make sure that when someone looks at me, they can't recognise Disha. It has to be a character. I want to do strong roles.
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There starts to be an overlap between you and the character.
