Stephen Dunn Quotes
A good many of my poems over the years have alluded to or taken on the political. Stevens has a line in one of his essays: "Reality exerts pressure on the imagination." Inevitably what is omnipresent in the culture exerts its pressure on our imaginations to respond to it, even if indirectly. But in this case the backdrop of 9/11, coincident with the breakup of a marriage, the finding of new love, some kind of personal cataclysm... all of those were forces informing the poems in some way.
Quotes to Explore
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Every employee needs to know that there's somebody out there that they serve. And when we don't let people know that for one reason or another, we're depriving them of a fulfilling job.
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I'd heard stories about business managers who lost their client's money. My feeling was that if I made any money, I wanted to lose it myself, to be the author of my own demise.
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Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.
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Fitzgerald coined the phrase the 'Jazz Age,' and now we're living in the Hip-Hop Age.
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I just use intuition - would I wear that? Would it feel okay? It's pretty simple, nothing too complicated.
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Radical Islamists spread from Western Africa through the Middle East, all the way to South Asia to sub-Indian continent.
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My father and mother were second cousins, though they did not meet till shortly before their marriage.
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Religion is something we don't talk about, and it is used by uneducated people as a weapon to divide us as opposed to connect with each other.
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Immortality. We all want to be remembered: We want to do things that will make people say, 'Isn't he wonderful?'
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You don't know how to love God and your neighbor unless you look to the law to define it.
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Our target is not negotiations, it is the end of the apartheid system. There can be no compromise about that.
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People read more mysteries than they do political pamphlets.
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One of the reasons I've never done intensive psychotherapy or any of that stuff is that if there's anything in me that needs fixing, I want to know that I can rely on my own intuition to fix it.
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I consider myself more a European director who is from Iceland than an Icelandic director.
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I'm hopeless at small talk and have a problem making eye contact.
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It's funny in the U.K., where I'm not really known because I never did a soap. My English cousins in the Lake District think I'm not a real actor because they've never seen me in 'Home and Away' or 'Neighbours.'
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All girls hit that phase where they like the bad boy. I grew out of that really young and I have a wonderful guy in my life who's not a bad boy at all. I like the satiric, consistent nice guy.
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I remember when I first started putting things on the web and people were writing about it. I totally didn't keep up with what was going on because I wanted to present stuff in museums and galleries and have some presence on the web. I feel fortunate to have posted stuff in the beginning.
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Any country that has sexual censorship will eventually have political censorship.
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If the people in Britain knew the nature and disposition of the New England people as well as we do they would not find so many friends in England as I suppose they do.
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It takes time to understand the difference between civilian POWs and military POWs. There's an educational process.
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A good many of my poems over the years have alluded to or taken on the political. Stevens has a line in one of his essays: "Reality exerts pressure on the imagination." Inevitably what is omnipresent in the culture exerts its pressure on our imaginations to respond to it, even if indirectly. But in this case the backdrop of 9/11, coincident with the breakup of a marriage, the finding of new love, some kind of personal cataclysm... all of those were forces informing the poems in some way.
