Laura Amy Schlitz Quotes
Quotes to Explore
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We continue to be bullish on China.
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I was able to really see that connection as a football player where success requires a lot of hard work and effort, physically and mentally.
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If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.
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The crew loves working on the show, even though we have to work really hard. There's nobody in the show that's difficult. We really have a great group.
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My Southern heritage is a big part of who I am. I grew up around people who seemed like characters but are actual, real people. My grandmother made sure I had manners and all that stuff.
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We're passing on something of ourselves to others. I feel that's what makes our life full of meaning. It's hard to have meaning in a closet, encapsulated by nothing. I think you really have to expand yourself and your life and do what you can for other people.
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If you look back on the breakups that you've had, whether it's a long relationship or a one-night stand, it's always awkward.
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The 20th century was a test bed for big ideas - fascism, communism, the atomic bomb.
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All the women in my family are very dramatic by themselves. They make the biggest things out of nothing. I think that's where I learned a lot about being emotional.
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What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
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My mail address is open for anyone, and I read all my mails by myself.
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I hate watching myself on film because I am so judgmental.
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When I was a kid, I was super shy.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Make yourself comfortable in everything you do.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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You cannot govern, you cannot administrate, with an ignoramus.
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Contemporary architects tend to impose modernity on something. There is a certain concern for history, but it's not very deep.
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Since I was 10 years old, I knew I wanted to sail around the world.
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I like Velvet Underground, but I was never really hardcore into them. I like them, and I like Nico, but I won't front like I'm super knowledgeable. I just never got around to it.
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The mirror that Strindberg held up to Nature was a cracked one. It was cracked in a double sense -- it was crazy. It gave back broken images of a world which it made look like the chaos of a lunatic dream.
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I was just a kid, but I was a rotten kid.
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Everyone is complicated one way or another. But it's interesting to dig into a complicated character, to try to find that within yourself.
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When I was a child, I wanted to be important.