Stephen Lang Quotes
Theater, because of the commitment, it has to be a great role and a great play to me. It takes a lot out of you.
Quotes to Explore
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It takes three to make a child.
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I do have to travel a lot for speaking engagements.
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I'm a professional world champion. Of course if you're a world champion, you're working harder than everybody else. You're making the commitment, and you're making the sacrifices. If it were easy, everybody would be able to do it. Everybody would be able to be world champion, but everybody can't be. Everybody doesn't have it in them.
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Let us be honest with each other. The threat to marriage is not the gays. It is a lack of loving commitment - whether it is found in the form of neglect, indifference, cruelty or adultery, to name just a few manifestations of the loveless desert in which too many marriages come to grief.
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I like music a lot.
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I've made a lifetime commitment to the union movement and to public education.
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I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
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The kids get cheated out of a lot of times with their dad. They were good about it.
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Commitment and creativity cannot be captured and handcuffed. Inspiration cannot be jailed. The heart cannot be contained.
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I spend a lot of time with my characters.
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I love doing theater. That's where my home is.
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In my opinion, theater shouldn't give advice to citizens.
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In Hollywood, there is no bigger commitment you can make than to a TV series. Even marriages pale in comparison. Marriages don't require signing iron-clad multiyear contracts. At least, most first marriages don't.
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When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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It's all to do with the training: you can do a lot if you're properly trained.
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I like films that are well-written and concise and with not a lot of room for improvisation.
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Of course the UN brings in a lot of moral authority.
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Disasters are usually a good time to re-examine what we've done so far, what mistakes we've made, and what improvements should come next.
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I pretty much know what I'm doing.
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Charles Bean is a brilliant director. I come in with an idea and try to do it, but I fall on my face. And then, he says, 'Wait a minute, there was a little moment in there. Let's try that moment and expand in that direction.'
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I think I may not be able to retire.
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We have seen the extent of the desecration and destruction of the facilities of the finest institution in the country.
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Theater, because of the commitment, it has to be a great role and a great play to me. It takes a lot out of you.
