Felicity Jones Quotes
My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.

Quotes to Explore
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The symbolic power of Barack Obama's presidency - that whiteness was no longer strong enough to prevent peons taking up residence in the castle - assaulted the most deeply rooted notions of white supremacy and instilled fear in its adherents and beneficiaries.
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Stage and film are just two wildly different animals. Why compare the two?
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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I vowed I would do everything I could to stop the Isle of Man counting towards the world championship. And it was stopped, so they love me in the Isle of Man.
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Once you give up rights, they're not going to give them back.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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I've been snowboarding my whole life. My wife's really good, and I just try to keep up with her.
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Film is anti-language.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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I got completely fed up with that Hollywood blockbuster mentality. I couldn't take it seriously any longer.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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The film depends on the audience's belief in this relationship.
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I want to be an inspirational model. I want people to look at me and say, 'Wow, she looks healthy.'
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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We hunger to understand, so we invent myths about how we imagine the world is constructed - and they're, of course, based upon what we know, which is ourselves and other animals. So we make up stories about how the world was hatched from a cosmic egg or created after the mating of cosmic deities or by some fiat of a powerful being.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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My name can raise money on a small-budget film.
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Its difficult to do a genre film well, and it doesnt matter if youre talking vampire movies or Dawn of the Dead or The Thing or Escape From New York. Those kind of movies, they understand what the old-school B-movie is supposed to be, they get the throwback of it.
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Grown-ups and children are not readily encouraged to unearth the power of words. Adults are repeatedly assured a picture is worth a thousand of them, while the playground response to almost any verbal taunt is 'Sticks and stones may break my bones, but words will never hurt me.' I don't beg so much as command to differ.
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What do I bring to a film? I think, maybe, I know for a fact that I focus on connection of character; I focus on warmth and a heart, but I don't know if it's because I'm African American or because I'm crazy -who knows.
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My aim in life is to make pictures and drawings, as many and as well as I can; then, at the end of my life... looking back with love and tender regret, and thinking, 'Oh, the pictures I might have made!'
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There was nothing the matter with me that was not also the matter with everyone else. I was not as interesting as I thought I was. My major problem, inadequate or inappropriate love from my parents, was as common as dirt. And one rainy day, all the boring poignancy of these realizations detonated in me like an atom bomb, burning the dead shadow of each former torment or preoccupation onto solid rock. Those silhouettes, that record would remain: the museum where I used to be.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.