Stephen Malkmus Quotes
What we're doing now, it's usually more based on records that I've bought or a projection of what I can do well now and the inner dynamics of playing with the people I'm playing with, Janet Weiss and Joanna Bolme, what we come up with. What works for us doesn't, like, have that much relation to the past.

Quotes to Explore
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It's real nice and exciting for me to break the records, but it's more exciting for me to be on a winning team.
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We're not making records for the fun of it; we're in it to make money.
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I think that nationality has no relation to that which gives rise to manga. Even among the Japanese, manga creators are making their creations everyday reflecting their own individuality, with none being the same. What is important isn't the differences between the creators but their love for manga.
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The typewriting machine, when played with expression, is no more annoying than the piano when played by a sister or near relation.
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I am a boring loner. I enjoy Friday nights at home in my rocking chair with no arms, rocking and relaxing. It's not uncommon for Netflix to be involved. Records are a possibility, but most of it is spent in silence.
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'Roxbury Drive' was the street I grew up on as a little kid, and it was the street that I first listened to records on, and where I actually really first fell in love with music.
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Sophomore records are historically really difficult.
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The reason I sell 6 million records, the reason I could go to jail and come out without a scratch, the reason I can walk around, the reason I am who I am today is because I can look directly in to my face and find my soul, it's there, it's not sold, i didn't sell it, it's still within me, I still feel it, my heart is still connected to my body.
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To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
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I tried acting and all of the arts, I even put out a record album, but what I like the most is business.
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My first record I owned was by Les Paul.
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Cookbooks bear the same relation to real books that microwave food bears to your grandmother?s.
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The relation between practical and spiritual spheres in music is obvious, if only because it demands ears, finger, consciousness and intellect.
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I feel like I haven't done anything. What have I done? I've just made a few records.
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I'm always thinking about the next record. I've got like 20 different themes and then I'll scratch the themes. It's a learning process.
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I came, I saw, I conquered From record sales to sold out concerts.
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Making good records tastes good in your mouh. And when that record sells, it tastes even better.
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I keep my ears open. The world can change overnight; that's what happens in this world. You never know. You have to keep your eyes and ears open. If you can't keep up, you ain't gonna catch up. I've been making records since 1953, and you just have to keep up.
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Resistances do not derive from a few heterogeneous principles; but neither are they a lure or a promise that is of necessity betrayed. They are the odd term in relations of power; they are inscribed in the latter as an irreducible opposite.
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It's one of those records that will stand forever. I really can't imagine anyone touching it.
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I don't think half my stuff would be funny if the audience didn't feel at least a little bit safe that it's not how I truly feel.
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That morning I realized I would probably spend the rest of my professional life trying to unravel the mysteries of trauma. How do horrific experiences cause people to become hopelessly stuck in the past? What happens in people’s minds and brains that keeps them frozen, trapped in a place they desperately wish to escape?
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What we're doing now, it's usually more based on records that I've bought or a projection of what I can do well now and the inner dynamics of playing with the people I'm playing with, Janet Weiss and Joanna Bolme, what we come up with. What works for us doesn't, like, have that much relation to the past.