Stephen Malkmus Quotes
Like the song "Stereo", to me that's like, kind of hip-hop in that slacker way. There's some slackerisms mixed in with that stuff, but it wasn't really conscious, I guess. When things would get more typical rock'n'roll that was my fallback to go to those kind of lyrics instead of the alternatives.
Quotes to Explore
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Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.
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I'm a total hip-hop geek. That's my favorite kind of music to listen to while getting ready.
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I was a rapper and a DJ, and if you wanted to be involved in hip-hop, you had to be involved in the sonic, the kinetic and the visual aspects. The visual was graffiti.
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I am not really brand-conscious; I pick out clothes that appeal to me regardless of the label, but I consider my style very American.
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Hip-hop is really standoffish. It's really competitive and it's really about who's number one all the time. Sometimes it gets out of hand.
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Necessity is blind until it becomes conscious. Freedom is the consciousness of necessity.
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You can call Hanson a whole lot of things, but hip-hop isn't one of them.
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I'm a big fan of hip-hop, so it reflects in my approach.
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It just is nothing foreign to consciousness at all that could present itself to consciousness through the mediation of phenomena different from the liking itself; to like is intrinsically to be conscious.
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'Stillmatic' is the rebirth of 'Illmatic,' my first debut album to come out in 1994. 'Stillmatic' is me coming full circle in my career and with everything, and just bringing pure hip-hop back.
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Rock 'n' roll doesn't glorify God. You can't drink out of God's cup and the devil's cup at the same time. I was one of the pioneers of that music, one of the builders. I know what the blocks are made of because I built them.
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We take almost all the decisive steps in our lives as a result of slight inner adjustments of which we are barely conscious.
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I ain't Mary, so ain't a damn thing Poppin'.
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Keep bustin about where you rest, and what you own, and what you drive.
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I'm never really conscious of saying, "I'm going to take on a specific role to combat a certain image in the public eye." I think that's pretty manipulative and transparent to the public anyway.
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Hip-hop was started as a very egocentric, testosterone, machismo-driven art form. The way that people are trying to take away that masculinity that is a such an intrinsical part of hip-hop music.
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Remember, when we're conscious of something, that state is quite often generated by unconscious processes that happen right before it.
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All the power of the occult healer lies in his conscious will, and all his art consists in producing faith in the patient.
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Success comes to those who become success conscious. Failure comes to those who indifferently allow themselves to become failure conscious.
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It feels that way when I'm doing a play, absolutely. On film and television, it's more complicated than that I think, and when you start to add the business into the mix, and the industry into the mix, it doesn't maintain it's purity. That's something that's inevitable and unavoidable, but that's why I try to do plays as much as I possibly can.
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Gang members have invariably grown up in broken, chaotic homes, often experiencing domestic violence; they have truanted from school and many have been formally excluded; and they live in neighbourhoods where worklessness, addiction and crime are rife.
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It is in your DNA to love a good story. You know, neat tales with heroes and villains and conflicts to resolve. A good story pushes our buttons, is exciting and memorable.
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Principles are guidelines for human conduct that are proven to have enduring, permanent value.
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Like the song "Stereo", to me that's like, kind of hip-hop in that slacker way. There's some slackerisms mixed in with that stuff, but it wasn't really conscious, I guess. When things would get more typical rock'n'roll that was my fallback to go to those kind of lyrics instead of the alternatives.
