Stephen Malkmus Quotes
That's why you go to a nice studio. You can get a magic take. You don't really have to do anything to it.
Quotes to Explore
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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I've always been a happy-go-lucky person. I haven't got any dark tales, I didn't draw on my own past, I'm from a very normal stable background and had an amazing childhood, and I haven't got any complaints really.
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My party is committed to a federation.
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I wish I could play the World Cup; that's one of my dreams.
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Many use Rs 500 and Rs 1,000 notes for daily transactions like going to theatres, malls, and trading purpose. People like these are unnecessarily put to inconvenience.
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You have to push yourself when you're older because it's very easy to fall into the trap. You start to fall apart - you just have to do your best to paste yourself together. I think doing things and being active is very important. When your mind is busy, you don't hurt so much.
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Dallas was a Black and White society at that time; it didn't have the diversity it has now.
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I think being busy is a healthy thing.
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What we're showing may not be your reality, but it's ours.
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You'd have to be an idiot to say no to 'Hunger Games.'
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I just want to make great films and be good in them. And I think that my perception of what's great in a film is constantly evolving.
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This is one Hart that you will not leave in San Francisco.
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The thing about abs is if you hit them daily, you feel more put-together.
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Some people are selfish in all of their relationships. Those people are called sociopaths.
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The spirit of an age may be best expressed in the abstract ideal arts, for the spirit itself is abstract and ideal.
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There's just something about that cold rush that I know I hate and a lot of other swimmers hate.
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I dance. I don't really do anything else.
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We are not saints, gods, spiritual human beings that we can sit and decide whether a film will do well or not. It is not in our hands.
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When you want to do a big thing, get the mental pattern, make it perfect, know just what it means, enlarge your thought, keep it to yourself, pass it over to the creative power behind all things, wait and listen, and when the impression comes, follow it with assurance. Don't talk to anyone about it. Never listen to negative talk or pay attention to it and you will succeed where all others fail.
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It only worked for a little while; the morning after I agreed to go with Universal, an article came out in the Hollywood trade papers, and the secret was out.
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I didn't just grow up with horses; I wanted to be one.
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Filmmaking is such a collaborative piece of art that you can't look to one person - you couldn't look to me, you couldn't say, 'Because Vin's in it, it's this or that...' It's really all of us coming together for that period of time to try and make magic.
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I'm really trying hard not to do anything that has been done before. So knowing everything I can about the legacy of magic challenges my team and I to invent new illusions.
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That's why you go to a nice studio. You can get a magic take. You don't really have to do anything to it.
