Steve Clevenger (Steven Scott Clevenger) Quotes
Quotes to Explore
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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I think it was a good challenge for me to get my reactions across without being able to speak.
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I think by laying it out for the viewer I'm avoiding the issue of bias.
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I think I remember being held by my mum as a baby.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.
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I think any actor hopes to have variety and range in what they do. Everybody has a certain range, so you take on roles to expand that the best you can... See things a little differently and whatnot.
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At fifty, that is in 1880, I formulated the idea of unity, without being able to render it. At sixty, I am beginning to see the possibility of rendering it.
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I don't think arrested-adolescent humor will fade. Maybe the form will change, but I guarantee its replacement will still be based in immature behavior from mature figures.
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I don't think about who the audience is for my books.
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I don't think you have to be in these serious, heavy, independent little movies to be an actor. Some of the most interesting acting I've seen is on cable television.
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In all my years of baseball, I have always expected to be traded. I never liked the idea.
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I still have not given up the idea of becoming a journalist, but at 17 I decided to follow my heart and stay in Los Angeles with my girlfriend as opposed to going to Johns Hopkins.
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I certainly think cameras ought to be in courtrooms.
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I think there's a culture in Rajasthan Royals that has been there before I got here, so I've come into it. I've enjoyed being part of it and embraced it. They are quite clear about the fact that bottom lines are important, and there is a certain limit on what you can spend.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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I used to think the press was a necessary evil and now I don't think it is. I think it's something you choose.
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I can be extremely vulnerable. People are tough on me because they think I can handle it.
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Especially early on, I had no idea what I was going to be asked to do when I walked into a studio. I was doing 26 sessions a week - all day, all night.
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After people have repeated a phrase a great number of times, they begin to realize it has meaning and may even be true.
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It's not that I don't like American pop; I'm a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding, do you think?
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I've done everything. Selling door-to-door fire extinguishers... In bars, I used to repair those machines that have 10 different buttons on them to spray club soda and seltzer.
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People always say there's no such thing as bad publicity, and you always think they're right, because it seems self-evident: nobody's going to buy a magazine that nobody ever talks about, so people should want to buy a magazine that everybody's talking about.
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I am sickened by the idea that anyone would think of me in racist terms.
