Steve Clevenger (Steven Scott Clevenger) Quotes
Quotes to Explore
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Let us not be so naive as to think that revolution is just a matter of social or economic discontent.
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I think it was a good challenge for me to get my reactions across without being able to speak.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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The moment you sense someone is making something because they think people are gonna buy it or like it, it's just so phony! The public has a nose for phony like nobody else.
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I think any actor hopes to have variety and range in what they do. Everybody has a certain range, so you take on roles to expand that the best you can... See things a little differently and whatnot.
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At fifty, that is in 1880, I formulated the idea of unity, without being able to render it. At sixty, I am beginning to see the possibility of rendering it.
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I don't think arrested-adolescent humor will fade. Maybe the form will change, but I guarantee its replacement will still be based in immature behavior from mature figures.
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I don't think you have to be in these serious, heavy, independent little movies to be an actor. Some of the most interesting acting I've seen is on cable television.
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In all my years of baseball, I have always expected to be traded. I never liked the idea.
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I still have not given up the idea of becoming a journalist, but at 17 I decided to follow my heart and stay in Los Angeles with my girlfriend as opposed to going to Johns Hopkins.
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I certainly think cameras ought to be in courtrooms.
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If I recall correctly, I think I signed my first contract with Tor in 1983.
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I can be extremely vulnerable. People are tough on me because they think I can handle it.
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I used to do a lot of comedy. I don't know what happened. I think it's my face.
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We will see about Obama's legacy. I still think the historical nature of his candidacy will be the biggest part of his legacy.
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I think Stella Tennant is amazing. And then I really loved all those '60s society models, like Edie Sedgwick.
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I run away from super-bandage-style Herve Leger dresses. I think it's sexier for a woman to be in something sheer and loose.
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I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
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I want to bring that old soul back, the meaningful lyrics and all of that. And I can't think of a better way to do that than through Motown.
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The thing about metaphors is that, if you give them away, you give away the mystery.
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Gordon Brown now bestrides politics and the media like the Colossus of Dunfermline. Whatever happened to Tony Blair?
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I know what I like in other actors: truth. That's the best. It makes you say, 'OK, I'll go with you on this.'
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In the past, TSR and now Wizards of the Coast have asked me to do game stats for my characters, and I'm never comfortable doing that. It's all relative after all.
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I am sickened by the idea that anyone would think of me in racist terms.
