Steve Forbert (Samuel Stephen "Steve" Forbert) Quotes
Quotes to Explore
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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All of these mechanisms we have for celebrating are so double-edged. So much sorrow comes out of joy.
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I think that for a child to be in a household... with a situation where the parents are not married, as in being one man and one woman, is not the best household for a child.
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I don't have to be a size zero anymore. But I still want to feel and look good.
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'From Here to Eternity' happens to be fourteen-carat entertainment. The main trouble is that it is too entertaining for a film in which love affairs flounder, one sweet guy is beaten to death, and a man of high principles is mistaken for a saboteur and killed on a golf course.
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My connection with Basquiat was really in Los Angeles, which really was a whole different world to what he was experiencing in New York.
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I'm not going away. I'll still be very much involved in the team but not with the same number of hours. I need to move over and allow the people who are really doing the job the space to do so.
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The fact of the matter is the Arab elites are more inclined to accommodate our wishes because of certain overlapping interests that are often financial. That is not the case with the Arab masses.
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I do think that there are certain parts, if you are lucky enough to play them, that are bigger than you, and they stretch you. I don't think you become a bigger person, but you develop certain muscles you didn't have before.
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I didn't have evil intentions, but I guess I did have power.
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I think maybe because I do other things and they mean as much to me as movie acting, it takes the onus off me. It's not the end of the world if I can't get a film job, or if a movie doesn't turn out well - even though I don't like it when that happens.
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To have a second movie that you're proud of and that actually turned out the way you wanted, shot by shot, I realize I'm probably going to be able to do this for a little while for my living.
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Apparently I work for free, look at some of the independent films I've done.
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The majority of my audience has always been women.
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We used to fight the LRA with only one dimensional force that only walks on foot, but now, we have got multiple forces to fight the rebels.
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The world is ever new to me; like an old friend loved through this and former lives, the acquaintance between us is both long and deep.
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Vampires are total sexual metaphors; there's just no way around that.
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Never in the history of 'The Shield' was the word 'LAPD' ever mentioned. We would mention districts, like Wilshire and Hollenbeck and Marina, but Farmington was a fictitious district, and we never actually uttered the word 'LAPD.' So that was sort of the deal we made with them.
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Everything changes when you start to emit your own frequency rather than absorbing the frequencies around you, when you start imprinting your intent on the universe rather than receiving an imprint from existence.
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More and more, we're used to taking things in through the eyes rather than through the ears, and opera is more of a spectacle.
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Virtues are often conquered by vices, but their rout is most complete when it is inflicted by other virtues, more militant, more efficient, or more congenial.
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After that I won a prize, I was with a group of ancient music of Spain that they helped me a lot with a grant, you see, during three years. And so I made my debut in 1944 and I found myself helping my family, it was a very poor family.
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When you understand that making, saving, and spending money is all based on the thoughts you're thinking and the actions that these thoughts lead to, you can completely transform your reality - and your bank account.
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And the music, as far as a type of music, it's still pretty viable.
