Adolph Alfred "Al" Taubman Quotes
There is more similarity in the marketing challenge of selling a precious painting by Degas and a frosted mug of root beer than you ever thought possible.
Quotes to Explore
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I don't see that many movies lately that are actually about something, that are trying to challenge something about the way that people interact.
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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Together with international unity and resolve we can meet the challenge of this global scourge and work to bring about an international law of zero tolerance for terrorism.
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I like the challenge of growing small companies into big global companies.
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I firmly believe that the Constitution is the most powerful challenge to illiberal tendencies. If the Constitution is followed in letter and spirit and if the laws are made in the spirit in which Constitution was made, liberties can indeed be protected.
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I created my own charity called My Peak Challenge. We've been able to raise hundreds of thousands of pounds. It's helping change people's lives, and I've had lots of wonderful letters about it.
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In fiction, it's a big challenge to keep the reader in one place for so long.
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He greatly valued his possessions, chiefly because they were his, and derived genuine pleasure from contemplating a painting, a statuette, a rare lace curtain - no matter what - after he had bought it and placed it among his household gods.
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Envision what the end result is supposed to be... what do you want to be when you grow up? Where do you see yourself? Once we identify what the painting on the wall is, it is so much easier to bring in the right colors, canvas and brushes to paint that picture.
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We are working to understand the tastes of people born in the 1980s and 1990s - it is very different from my generation. We do our own research. Marketing research companies, I think, are relatively academic.
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I was so nervous because I was doing my first film. I didn't want to embarrass myself. I'm an incredibly insecure person, and knowing that I had to go on set in next to nothing, it scared me, but at the same time, I knew it would be a challenge to open me up, not only as an actress but as a person.
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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I love challenges, and I believe that the challenge of quality cinema should not be underestimated as an important part of the Italian cultural offer.
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I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
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My mother taught me that to maximize your philanthropic potential, you need to constantly challenge your capabilities and put yourself in situations that are not always comfortable. Through her example, I discovered that there is no more beautiful way to live a life than to live a life of service.
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Sunlight is painting.
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I'm always trying to do stuff I haven't done before or challenge myself so I'm not resting on my laurels all of the time because if I just found my little niche and never left it, I'd be pretty boring, I think.
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When I can control my own show, I want the price to be affordable so fans can actually see me. It's a challenge because I have to do a lot of navigating to make the production stellar but do it on a realistic budget.
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How do you make something the same but different? That's the question I had to deal with in my approach to the cover painting for 'Percy Jackson's Greek Heroes.' I wanted it to have many similarities to 'Percy Jackson's Greek Gods,' but I knew they couldn't be too similar.
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I don't like painting flowers in my music. I like painting guts and pain.
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When I was an art student, a professor told me, "If you are thinking about where a painting is going to hang in a gallery and what others will say and think of it before you have put the first brush to the canvas, you are missing the point entirely.
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What's exciting for me is to make sure that people do still dress up - how do we do that in this fast-paced modern world, when we're all on the move and all so busy?
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Ben Farmer brings a legend to life in Evangeline, evoking with grace and panache the travails of the Acadians in mid-eighteenth century America from Nova Scotia to New Orleans. Farmer is a wonderful storyteller, and readers won't soon forget this tale of love and fortitude. Simply riveting.
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There is more similarity in the marketing challenge of selling a precious painting by Degas and a frosted mug of root beer than you ever thought possible.
