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The essential is to go on squirming forever at the end of the line, as long as there are waters and banks and ravening in heaven a sporting god to plague his creatures, per pro his chosen shits.
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Hamm: There's something dripping in my head. A heart, a heart in my head.
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Poets are the sense, philosophers the intelligence of humanity.
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These things I say, and shall say, if I can, are no longer, or are not yet, or never were, or never will be, or if they were, if they are, if they will be, were not here, are not here, will not be here, but elsewhere.
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Nothing matters but the writing. There has been nothing else worthwhile... a stain upon the silence.
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I tried to groan, Help! Help! But the tone that came out was that of polite conversation.
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By nature I mean here, like the naïvest realist, a composite of perceiver and perceived, not a datum, an experience. All I wish to suggest is that the tendency and accomplishment of this painting are fundamentally those of previous painting, straining to enlarge the statement of a compromise.
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In order to obtain the optimum view of what takes place in front of me, I should have to lower my eyes a little. But I lower my eyes no more. In a word, I only see what appears close beside me, what I best see I see ill.
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I don’t like animals. It’s a strange thing, I don’t like men and I don’t like animals. As for God, he is beginning to disgust me.
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Does one ever know oneself why one laughs?
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Hamm: If I could sleep I might make love. I'd go into the woods. My eyes would see … the sky, the earth. I'd run, run, they wouldn't catch me.
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Here's my life, why not, it is one, if you like, if you must, I don't say no, this evening. There has to be one, it seems, once there is speech, no need of a story, a story is not compulsory, just a life, that's the mistake I made, one of the mistakes, to have wanted a story for myself, whereas life alone is enough.
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Dear incomprehension, it’s thanks to you I’ll be myself, in the end.
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What a joy to know where one is, and where one will stay, without being there. Nothing to do but stretch out comfortably on the rack, in the blissful knowledge you are nobody for all eternity. A pity I should have to give tongue at the same time, it prevents it from bleeding in peace, licking the lips.
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My life, my life, now I speak of it as of something over, now as of a joke which still goes on, and it is neither, for at the same time it is over and it goes on, and is there any tense for that? Watch wound and buried by the watchmaker, before he died, whose ruined works will one day speak of God, to the worms.
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But he had turned, little by little, a disturbance into words, he had made a pillow of old words, for his head.
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Memories are killing. So you must not think of certain things, of those that are dear to you, or rather you must think of them, for if you don’t there is the danger of finding them, in your mind, little by little.
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No, life ends and no, there is nothing elsewhere, and no question now of ever finding again that white speck lost in whiteness, to see if they still lie still in the stress of that storm, or of a worse storm, or in the black dark for good, or the great whiteness unchanging, and if not what they are doing.
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All I say cancels out, I’ll have said nothing.
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And truly it little matters what I say, this or that or any other thing. Saying is inventing. Wrong, very rightly wrong. You invent nothing, you think you are inventing, you think you are escaping, and all you do is stammer out your lesson, the remnants of a pensum one day got by heart and long forgotten, life without tears, as it is wept.
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Hamm: Ah, the old questions, the old answers, there's nothing like them!
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Poor juvenile solutions, explaining nothing. No need then for caution, we may reason on to our heart’s content, the fog won’t lift.
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But is it true love, in the rectum? That’s what bothers me sometimes.
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For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man, which to be sure he was, in a sense, for a time, and as the only way one can speak of man, even our anthropologists have realized that, is to speak of him as though he were a termite.