Van Morrison Quotes
- All Quotes
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What you see is what you get.
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There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.
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You can't stay the same. If you're a musician and a singer, you have to change, that's the way it works.
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I understood jazz, I understood how it worked. That's what I apply to everything.
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There's novel reading, and then there's the other kind of reading. Take somebody like Carl Jung, the psychiatrist - now there's somebody worth getting into. With novels, I'm kind of fly by night. It isn't something I can be really consistent with.
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When I think of that dear rugged cross where the dear Saviour gave his all... When I feel like I'm on my last go round, see me through.
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Enlightenment says the world is nothing Nothing but a dream, everything's an illusion And nothing is real.
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You take stuff from different places, and sometimes you stick a line in because it rhymes, not because it makes sense.
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I write songs. Then, I record them. And, later, maybe I perform them on stage. That's what I do. That's my job. Simple.
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Hearing the blues changed my life.
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When I first started drinking, it was working for me. It was great. Like when you're doing a gig and you're in a band and you're in the truck and there's nothing to do in the truck and the gigs are all the same and the hotels are all the same...it's the hotels, the car, the gig.
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Every performance is different. That's the beauty of it.
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If it's what you do and you can do it, then you do it.
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If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.
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The trip had become boring. It wasn't exciting anymore to totally be a singer/songwriter because it wasn't working for me.
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The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.
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And I shall watch the ferry boats, and they'll get high, on a bluer ocean against tomorrow's sky. and i will never grow so old again, and i will walk and talk, in gardens all wet with rain.
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That's what it is-it's jazz. It's just jazz. That's what the whole thing is about to me. It's about what's happening right now in this context. This conversation is jazz to a certain extent. It's improvisation. What appeals to me about music is the improvization. That's what I don't like about the media-they're not living it.
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Some thoughts went through my head about recording some stuff that had influenced me earlier in my career like blues and early rock. But it didn't seem to really make sense at that point - it might have been taken the wrong way. A lot of people already had been into that trip.
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My ambition when I started out was to play two or three gigs a week. And that's what I'm doing.
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Jazz was always cool. That was what I liked about jazz - it was always cool. Now I see the cats that were basically cool getting kind of uncool. So that ruins what I feel about jazz.
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The theory is that you don't play a song the same way twice because it's jazz. That's where I'm coming from.
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I always record far more than I can use. There's probably twice as much recorded as comes out.
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[The music is about ] for the purpose of getting people to an excitement level. They feel something, they feel emotions. They're going to go home after that concert and remember it.Maybe they got something out of the experience rather than intellectualizing about what songs mean which is the whole head trip.