Narciso Rodriguez Quotes
Quotes to Explore
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If people want to really know what's up with me then they can read one of my interviews.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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This is part of what's driving me, is this feeling like there's so much yet to be discovered in the oceans, and we're destroying it before we even know what's in it.
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After I was 70, I realized that, 'Okay, I would like to have another 50 years, and I probably could.' But part of me is saying, 'Maybe I'm not going to have that much time.'
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I get carded for soda, you know, when I go to the supermarket. I mean, they card me for everything. You know, I can't even get through a hand of black jack without getting carded, like, five times.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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My dad tells me that he took us to a pantomime when I was very, very small - panto being a sort of English phenomenon. There's traditionally a part of the show where they'll invite kids up on the stage to interact with the show. I was too young to remember this, but my dad says that I was running up onstage before they even asked us.
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For me, being a mum has been a really, really instinctive thing.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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Be more dedicated to making solid achievements than in running after swift but synthetic happiness.
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No one put pressure on me to go to the Olympics; once I'd got the qualifying mark, I just couldn't say no.
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Nothing new here, except my marrying, which to me is a matter of profound wonder.
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Anyone can be a father, but it takes someone special to be a dad, and that's why I call you dad, because you are so special to me. You taught me the game and you taught me how to play it right.
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Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
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I don't do a film unless it has a sword in it. And if it doesn't have a sword in it, I insist that they have one in the same room to keep me comfortable.
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It's dangerous to read the Internet about yourself when you're me. Or when you're anyone in the public eye.
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I think people look at me and don't expect much. Even though, I expect a whole lot.
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Structure is more important than content in the transmission of information.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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You used to be able to just call people. You didn't have to be on someone's calendar to have a phone conversation. The telephone was an important and valuable domain of communication, both for casual, friendly chats and for professional exchanges of ideas and information. But no more.
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Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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No scent is more sensual or more memorable to me than musk.
