Steven Moffat (Steven William Moffat) Quotes
People don't really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it.
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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With sitcom writing, you're trying to write stories.
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There were nineteen years between my grandparents, and I was in a relationship for five years from the age of fifteen to twenty with a man who was thirteen years older than me who remains one of the loves of my life, and he passed away when I was twenty years old.
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Basically, I want that relationship where we have that love. I love her so much, and she loves me so much that it's just - you want that relationship where you look into the girl's eyes, and you know that she's everything you've ever wanted. When I find that, I'm going to get it!
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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Parenthood, like death, is an event for which it is nearly impossible to be prepared. It brings you into a new relationship with the fact of your own existence, a relationship in which one may be rendered helpless.
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I'm an intense guy. I run 10 miles a day, which helps alleviate my intensity. Also, singing helps defuse my intensity. Playing the piano helps, and writing helps.
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I admire the linear and decisive way a certain kind of man thinks, to my curlicue boundless overthinking.
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When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
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I always joke that my kids' favorite holiday is Father's Day. They love the way I celebrate the occasion by writing each of them a thank-you letter and a generous check. It's my way of letting them know how much I appreciate the great pleasure and privilege of being their dad.
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I admire many people, but I am not sure that I have any 'heroes.'
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On a very personal level, I have fond memories of spending a lot of time in the Library of Congress working on my collection of poems 'Native Guard.' I was there over a summer doing research in the archives and then writing in the reading room at the Jefferson building.
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Writing is a strange and solitary activity.
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I've always said the hardest aspect of the job of being a writer is writing.
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I've enjoyed being a single person, particularly because I'm travelling a lot. It would be hard to maintain a relationship - so I've really not tried.
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I did literature at university, so I had a real relationship with poetry, but they don't make many films about the world of a poet.
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I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
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I'd like to be writing songs for other people - I just like writing songs.
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I love Gene Weingarten's feature writing with the passion of a thousand suns.
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Writing every day across nine time zones because Gillian [Grassie] was in Berlin, and we were working together via Skype. It was pretty intense. I'm really happy with how it turned out.
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Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.
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Outstanding people have one thing in common: An absolute sense of mission.
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Honesty and authenticity are a big deal for me.
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People don't really have a relationship with great writing or great production or great art direction or great direction. They just sort of admire it.
