Steven Soderbergh (Steven Andrew Soderbergh) Quotes
I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
Quotes to Explore
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I love heavy music. I keep Flume nice and melodic, so I save the angry, testosterone-fueled heavy stuff for What So Not. I think it's a good defining thing for the two projects.
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I am often critical of Israel's policies when in the country, but then feel defensive of them when overseas.
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I am surprised people took so long to pick up on the fact that my contract expires at the end of this year. Eddie has to decide who he wants to drive, so there is no secret anywhere. I am not concerned. It does not sit with my objectives to be competitive.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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I'm prepared for Amir Khan moving swiftly - or for whatever style he comes out using. I prepared with sparring, in the style similar to what he uses.
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Technology has enabled government to have investigative and situational awareness on a scale and scope that were science fiction when the Stasi shut its doors.
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In Europe and the United States, you've got different systems to select candidates, and no system is perfect.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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I had five children in six years. The day I brought my fifth baby home, that week, my daughter turned 6.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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Honestly, I just love great performers and people who love what they do.
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When you cover the economy as a reporter, there's one part of the job that is always easy: finding economists who disagree.
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We want to take care of our employees, because they take care of our family.
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Everyone has class, one class or another.
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It is difficult to remember just how formal middle-class life was in the 1930's and '40s. I wore a suit and tie at home from the age of 18. One dressed for breakfast. One lived in a very formal way, and emotions were not paraded. And my childhood was not unusual.
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This is why fiction is an art, and life is not - how much more affecting is the lie than the truth.
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To what happy accident is it that we owe so unexpected a visit?
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You can coddle your child and tell them, 'You're the best no matter what.' But in the end, when they go out into the real world, I think it's pretty tough out there and other children are cruel.
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I think probably the first time I recorded anything was mid-2010.
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The last time I did a movie that needed a horse, I said: 'If it moves, I'm out of here.' The worst thing is, they know when you're afraid and act up accordingly. I've had them run off on me. Horses I do not like.
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Usually, like, on 'Mean Girls,' the task that Tina Fey and I set for ourselves was we wanted to maintain a comic intensity throughout the movie, where people just don't really get a break from laughing. And if they do, it's for a brief emotional scene, and then we're going to once again try to knock them on their heels again with comedy.
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You can't start a movie by having the attitude that the script is finished, because if you think the script is finished, your movie is finished before the first day of shooting.
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I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
