Steven Soderbergh (Steven Andrew Soderbergh) Quotes
I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
Quotes to Explore
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I love heavy music. I keep Flume nice and melodic, so I save the angry, testosterone-fueled heavy stuff for What So Not. I think it's a good defining thing for the two projects.
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I am often critical of Israel's policies when in the country, but then feel defensive of them when overseas.
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I am surprised people took so long to pick up on the fact that my contract expires at the end of this year. Eddie has to decide who he wants to drive, so there is no secret anywhere. I am not concerned. It does not sit with my objectives to be competitive.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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I'm prepared for Amir Khan moving swiftly - or for whatever style he comes out using. I prepared with sparring, in the style similar to what he uses.
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Technology has enabled government to have investigative and situational awareness on a scale and scope that were science fiction when the Stasi shut its doors.
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In Europe and the United States, you've got different systems to select candidates, and no system is perfect.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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I had five children in six years. The day I brought my fifth baby home, that week, my daughter turned 6.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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When you cover the economy as a reporter, there's one part of the job that is always easy: finding economists who disagree.
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We want to take care of our employees, because they take care of our family.
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Everyone has class, one class or another.
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It is difficult to remember just how formal middle-class life was in the 1930's and '40s. I wore a suit and tie at home from the age of 18. One dressed for breakfast. One lived in a very formal way, and emotions were not paraded. And my childhood was not unusual.
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This is why fiction is an art, and life is not - how much more affecting is the lie than the truth.
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To what happy accident is it that we owe so unexpected a visit?
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I think, generally, romantic stories end with people together. But I'd like a story that ends, like, hopefully but not necessarily neatly.
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I thought the marketing was really smart and really clever and unique at the time. It positioned 'Saw' as a horror film that was different from the other horror films that were in the crowded marketplace.
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I remember when I did 'Mrityudand' there was this big hoo-ha, and people were asking me why I was doing an art movie, and I would just tell them that, 'You know, what's the big deal, it's a movie.' I'm so glad that's a thing of the past.
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I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie.
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I did a movie called 'Clueless' when I was first starting out. And with that paycheck, I went and bought a car, which I had no use for, because I lived in New York City, where you can take a train for a dollar anywhere. But instead, I bought a $20,000 car with a $12,000 check.
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I think - in general, I don't think I've been involved in a single movie that turned out the way I anticipated it to turn out. Just because, as an actor, there's only so much that I can bring to a project.
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I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.
