Steven Soderbergh Quotes
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I'm not going to spend two years of my life on something that I'm not excited about.
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There's definitely a way of thinking and a way of being in the South that has its advantages and disadvantages.
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I feel I need to really think about whether there's a way to use what skill I have to address things that outrage me, like the 13 year old girl getting stoned to death. Because I don't think making a movie is going to help that, or change that.
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I want to form a political party that's based entirely on what music people listen to. To me, it's a much better barometer of what they think and feel than their political stance.
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Well, it's 15 years since Sex, Lies And Videotape, and if you hang around long enough you're having the same arguments with just a new set of people every few years and it gets boring.
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It takes one asshole to ruin the whole thing. That's it. One. The problem with the world is one asshole comes up with a really bad idea and now we're all taking our shoes off at the airport.
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All human interaction, you can break it down to incentives. All relationships, at some level, are transactional. They're fascinated with incentives.
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You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
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If you think that because you're Che, when you go into Bolivia, when people find out it's you, that they're going to have the same kind of reaction that the Cubans had to Castro, then you're high.
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I don't have any kind of ideology that precludes me from moving in one direction or another. I just want creative autonomy and I want at least an opportunity that it's going to be seen.
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Everything is the director's fault - you can quote me on that. There are no excuses.
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Never done an explosion, but I have had explosive diarrhea, and that was very, very real. Good thing I have my trailer.
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Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
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A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.
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Everything had been done long before I started making movies. I mean, there's nothing that Godard hasn't already done. You can't do a single thing that Godard hasn't already thought of. And so you struggle to do something that is not predictable.
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The key is, how do you feel with the one asshole? They cannot be talked to. That's why they are assholes.
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I want to thank anyone who spends part of their day creating...anybody who spends part of their day sharing their experience with us-I think this world would be unlivable without art and I thank you.
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I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
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Your take on things is what is either going to make you somebody people talk about or no.
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"A meteor hits planet Earth" - that's a story idea but that doesn't give me any indication of what the character is.
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I'm a big believer that if there's something you really want to do, don't walk away because of the deal.
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The key is, if youre not monkeying around with the script, then everything usually goes pretty well.
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My father, who was the one who really got me hooked on movies, liked all kinds of films, and I saw all kinds of films at a very young age.
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I guess I just look at talent as a very subjective thing. I mean, if you never tried playing an oboe, how do you know you're not the most talented oboe player ever? The point is that if you don't love it, then it doesn't matter.