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Every time you make something that somebody likes, your impulse is to remind them that if you hadn't made some of these other things that they hated, you wouldn't have been able to make the thing that they liked.
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I think the feeling that we're going to work together again usually starts to come up before the first project's even done. The Black Keys and I have already talked about starting on something new.
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It takes one asshole to ruin the whole thing. That's it. One. The problem with the world is one asshole comes up with a really bad idea and now we're all taking our shoes off at the airport.
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A movie is something you see, cinema is something that’s made.
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There are three major social issues that this country is struggling with: education, poverty, and drugs. Two of them we talk about, and one of them we don't.
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I stopped reading reviews about my own movies. I read stuff about other people's movies.
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A real explosion is not only much more fun to shoot, it also helps the actors and creates an energy on set and ultimately in the scene.
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When things go right it's hard to figure out why, but when things go wrong it's really easy.
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If you're sitting around thinking what other people think about your work, you'll just become paralysed.
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What are the stories you want people to tell about you?
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Ego is something that everybody, creative especially, has to grapple with. You need enough ego to keep going but not so much ego that you're deaf or blind, that you're making a mistake and can't fix the course.
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We all get outraged by things and there are things that make us angry and maybe for a while we get angry enough to actually go do something about it.
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I'm not precious about anything. The effort it took to get something means nothing to me in post. It means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.
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Usually I'm thinking about the palette. I'm thinking about the color for the most part, then I'll start thinking about composition and movement.