Steven Spielberg Quotes
I like the smell of film. I just like knowing there's film going through the camera.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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The film depends on the audience's belief in this relationship.
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The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.
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Being in a Woody Allen film. I cherish it.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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I've wanted to do some sort of acting stuff down the line, but modeling is a good way to get comfortable in front of the camera.
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I make sure that whatever film I do, I enjoy my role.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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The world just does not fit conveniently into the format of a 35mm camera.
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My mom hates being on camera. My dad loves it - he eats it up!
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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If there were teenagers who had a video camera and saw what I did on a daily basis, they'd be bored out of their mind.
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I came rather late to film. I've done an awful lot of theater before - before I discovered the camera, you know, seeing everything, requiring much less acting and - and much less presentation, much less projecting, more just being.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
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I called my party the Green Oxygen party because Colombians were choking.
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It's tempting to think that decisions that are not life-and-death are therefore unimportant, and that the little compromises we make don't matter to our bottom line or our spiritual selves. How many of us are tempted, in business, to make a less-than-ethical decision? To appropriate someone else's idea or fudge some numbers? We have to remember that maintaining our ethical and spiritual selves is absolutely linked with achieving the degree of success we're working toward.
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Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.
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I like the smell of film. I just like knowing there's film going through the camera.
