Steven Strogatz Quotes
When you love a problem, its contours, obstacles and resistances are all just part of its character.

Quotes to Explore
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Do you follow American politics? They hate Obama. Hate him. He's a black man. That's what it is: it's racist. This guy is no bleeding-heart liberal. He's a centrist.
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We don't need bigger government. We need to shrink the size of government.
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I'm interested in morality and mortality, and 'Deadpool' kind of has all of these themes.
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I achieved what I want to achieve and I want to continue doing something else.
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I know what it's like not to have food in the fridge or money to buy more.
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No matter that patriotism is too often the refuge of scoundrels. Dissent, rebellion, and all-around hell-raising remain the true duty of patriots.
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R. Kelly is a thing on TV, but nobody knows Robert and what he's been through.
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One of my biggest drawbacks is my inability to maintain my physique. I put on weight for 'Soodhu Kavvum' and never managed to shed it. Luckily, that look suited a few films, including 'Orange Mittai.'
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Maybe I'm just purely lucky. If I've come up against obstacles I've always found another way around it.
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Many years ago... many, many years ago, I brought up a boy, and I said to him, 'Son, if you ever become a writer, try to write a good part for your old man sometime.' Well, by cracky, that's what he did!
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It's kinda all about image.
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I consider myself West African, among other cultural identities, and a writer, among other creative ones.
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I'd always heard stories about how Harpo Marx was the most talkative of the Marx brothers. I found it interesting that someone you never got to hear speak in films would never not speak in real life.
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I run about four to five miles, three days a week. I have four young children, so pretty much the only time I can get away is real early in the morning.
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I don't just want to be someone who hits the ball 100 per cent every time. You can play with freedom and still mix up the pace, mix up the spins and everything like that. That's what I want to be doing, because you get into that very one-dimensional kind of tennis if you don't work on slicing and coming into the net.
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I've been writing for a long time, and I've loved comic books for a long time - forever - but I had to learn how to write in a different way to write sequential art for a graphic novel. It's been an interesting transition.
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I don't think I'm ugly, but I never thought I was that special.
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I recently reread an article of mine written in 1964, and I think it is still valid. There is not much difference. Many of the items on the agenda 37 years ago are still there.
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What the rest of us see only under the influence of mescalin, the artist is congenitally equipped to see all the time. His perception is not limited to what is biologically or socially useful.
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A lot of people live much more simply than in the old days. That doesn't bother me. Keeping busy is the problem. Television guest shot fees are going down. You can do a dozen guest shots a year, but you're not making that much money.
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While I shared many of the same emotions Bill describes, in no way did my experience ever degenerate into the grimness I find in his book - I didn't have to live with Don, and I think that made a big big difference.
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There is a certain advantage to the British accent. I do notice that Americans love it; they think the we Brits are smarter than perhaps we are.
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When you love a problem, its contours, obstacles and resistances are all just part of its character.