Flo Rida Quotes
I've always known, before I had a record deal, that the thing is to go out and put on the show. I've been doing that from day one.
Quotes to Explore
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Yanukovych has changed everything in Ukrainian jails - real criminals have been released, while representatives of the middle class and politically rebellious free-minded people have filled the prisons.
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The most important thing is to preserve the world we live in. Unless people understand and learn about our world, habitats, and animals, they won't understand that if we don't protect those habitats, we'll eventually destroy ourselves.
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What is important is for me to do my best work on camera. The camera is inches away from you and sees every micromovement of every muscle of your eye. And if you're not relaxed, the camera sees it.
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I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
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You have this ability in hip hop to be invincibly cool, and that is a part of G-Eazy.
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We are two brothers: I am a doctor; my brother is an engineer.
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I had no desire to crash a man's world.
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Just being the seeker, somebody whose open to spiritual enlightenment, is in itself the important thing and it's the reward for being a seeker in this world.
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If you want to do interesting software, you have to have a bunch of people do it, because the amount of software that one person can do isn't that interesting.
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I've made a dozen films in the English language. But then, for love, for my family and friends, I returned to Europe... I annoyingly - looking back - turned down films like 007, 'For Your Eyes Only,' written specially for me.
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I'm always afraid of failing. I have to quiet that fear if I'm going to get up in the morning.
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The public thinks that homelessness is about not having any accommodation to go to.
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Fiji had experienced the ordeal of two military coups.
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'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old – obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
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To play something which is a big spectrum is so much more fun, so much more of a challenge.
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I am a woman of the 21st Century who is self-assured and speaks my mind.
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I'm very lucky to be in projects that have such skilled writing in them.
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I'm a very anxious, nervy kind of loser in many ways, and I get very stressed and a little tense.
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Prior to joining NSD, I was briefly associated with a small theater group in Delhi called Sakshi. Saurabh Shukla, Manoj Bapayee were my seniors in that group. I performed a few supporting roles in Sakshi plays.
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My solo playing utilizes the deployment of suggestive psychic rhythms. I'll state these throughout a given piece and play thematic improvisations on top of that. I like to suggest that rhythmic movement without always playing it. I like to create openings that I can step into.
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CEOs can talk and blab each day about culture, but the employees all know who the jerks are. They could name the jerks for you. It's just cultural. People just don't want to do it.
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When I played with the Knicks, I was just as important or just as smart as any other of the guards I played with. I still had to call out plays, notice schemes, know the systems, do everything they had to do.
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The "pursuit of happiness" is responsible for a good part of the ills and miseries of the modern world.
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I've always known, before I had a record deal, that the thing is to go out and put on the show. I've been doing that from day one.
