Adrian Anthony Gill (A. A. Gill) Quotes
Beautifully shot, impeccably paced, it was a clear, unrelenting look at the National Trust, its friends and enemies, and it makes you want to burn your passport and beg the Luftwaffe to have another go.
Quotes to Explore
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In every truth, the beneficiaries of a system cannot be expected to destroy it.
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A historical romance is the only kind of book where chastity really counts.
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There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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I'm such a fan of Shailene Woodley, so I'm super excited to see all her stuff. She's an awesome actress.
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To me, there's no point in writing merely to entertain.
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Never judge a person if you don't know him.
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Even before it opened its retail arm, Beigh was renowned among pashmina cognoscenti for the quality and complexity of the work produced in its workshop, a large, airy, sunlit rectangle of a room directly across from its second-floor shop.
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I think I've got some more big plays left in me.
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That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
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The best way to hold a man is in your arms.
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I play the father in the scene when Will and Tommy go back to Tommy's old apartment. It was a big mistake. I hope not to be in the next movie I direct.
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You're always close and you never get that big romantic lead.
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Myth is a powerful medium because it talks to the emotions and not the head. It moves us into an area of mystery.
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I don't know of any other creature on earth other than man that will sit in a corner and cry because of some painful experience in the past.
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We are never doing anyone any favors by withholding our gifts from the world. It's scary to be fierce, but you can't compromise that for fear of losing those around you.
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Music is my heart, but I see television and more movies in the next stage of my life.
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I'm actually surprised how technical a lot of commercial wine production is. Things are done very much from an industrial chemistry point of view at certain price points, but that's not the impression you get with wine.
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I can hardly eat meat because it has to look like something what it was not when it was alive.
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I think people live in the past and tend to look that way, because they drop off when they're happiest and most successful.
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When I dance, I picture myself and the floor in my head.
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I would do nightclubs and concerts - particularly concerts, which is mostly what I did - and only people who already agreed with me would show up. People weren't going to come and inadvertently turn on their television set and find this offensive stuff coming out.
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Beautifully shot, impeccably paced, it was a clear, unrelenting look at the National Trust, its friends and enemies, and it makes you want to burn your passport and beg the Luftwaffe to have another go.
