Stewart O'Nan Quotes
You couldn't relive your life, skipping the awful parts, without losing what made it worthwhile. You had to accept it as a whole--like the world, or the person you loved.

Quotes to Explore
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When I'm dancing, I don't know where the confidence comes from, but I just pretend I'm someone else, I think, and then I go out and dance.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I'd never kill myself for a man. I wouldn't do it for anybody.
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A standard line, promoted by people like Clement Greenberg, is that politics contaminates art, and Manet is often cited as an example of art for art's sake.
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'Limbo' has been one of the greatest hits of my career. A great response all over the world, not just Latinos but people in Europe and America.
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Whenever I tell people I'm from Miami, they always ask me about the beach. But I can count on one hand the times I went there as a kid.
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Yeah, I am lazy. There's no doubt about that.
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I hope I did it the way my peers did it before me. I didn't do anything but try to play hard.
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HeyHey is my favourite app. It's like Instagram but for sound recordings, with little soundbites from people's days. We spend far too much time looking down at our phones, so it's nice to have your head up while you listen to what other people have uploaded.
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I have never refused to talk to any authorities or give them any information I had.
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Adolescence is a modern construct and very American in so many ways.
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My life has changed. I'm not walking around any more wishing I wasn't me, which was the case at one time.
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This in turn suggests an answer to our question: what happened between the birth of De Sade and the birth of Krafft-Ebbing? The rise of the novel taught Europe to use its imagination. And when imagination was applied to sex, the result was the rise of pornography - and of 'sexual perversion.'
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Expressing oneself is like a drug. I’m so addicted to it.
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It is commonly thought that everything that is can be put into words. But there is a wide range of emotional response that we make that cannot be put into words. We are so used to making these emotional responses that we are not consciously aware of them till they are represented in art work.
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I had no choice but to work hard. I was a straight-A student, went to college, and I loved business. I never thought I was going to be a singer myself.
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I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.
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You have to accept the rule of law, even when it's inconvenient, if you're going to be a country that bides by the rule of law.
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I can honestly say that I've done everything I've wanted to do, always. Not without difficulty. But every time I wanted to do something, I just did it, from the age of 18 when I started my own theater with my friends. When I decided I wanted to act. I just bit the bullet.
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The one thing I think I've noticed about shows that are supposed to be funny on television is that they've sort of become routinized, so there's an awful lot of mannerisms and joke lines that are sort of there to trigger laughter, rather than give actors a chance to play a moment.
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I'm greedy, but I've always watched what I eat because I want to look good. I gave up butter, cream and sugar years ago.
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My husband has always been my biggest supporter, and my mother has finally joined the cheerleading team now that her friends have been telling her that they like my work as well.
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But the burns were like the fingerprints of an older time—before Ziegler and his brethren decided that traditional sources of value were merely superstition. “Those thousands of generations of technical progress” obliterated ritual, emptied out all meaning, glossolalia without divinity. I decided that’s what the painted mother foresaw, that she was saying farewell to candlelight, that she knew she was trapped inside a painting addressed to the future, where it could only be, however great, an instance of technique.
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You couldn't relive your life, skipping the awful parts, without losing what made it worthwhile. You had to accept it as a whole--like the world, or the person you loved.