Stonewall Jackson (Thomas Jonathan "Stonewall" Jackson) Quotes
Quotes to Explore
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It is nothing to die. It is frightful not to live.
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The reason can give nothing at all Like the response to desire.
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There's nothing wrong with anger provided you use it constructively.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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I have nothing revolutionary or even novel to offer.
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I like Brad Pitt; I just have nothing to do with him.
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Nothing is better than peace, by which all warfare of heavenly and earthly foes is brought to naught.
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One must beware of ministers who can do nothing without money, and those who want to do everything with money.
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We love our fans, so there's nothing we wouldn't do for them, and we go directly to t hem.
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There is nothing on earth divine except humanity.
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When it comes to jump-starting the intricate machinery of recollection, there's nothing more effective than the scent of approaching death.
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Whatsoever is, is in God, and without God nothing can be, or be conceived.
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There's nothing like simple spicy egg bhurji.
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We must confront our own racism. Discriminatory housing and employment policies are nothing more than institutionalised racism.
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I pick up my pen. It flows. A building appears. There it is. There is nothing more to say.
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Something is worth what somebody will pay for it. Nothing else, nothing more, nothing less.
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I have nothing against 3-D in theory. But I've also never run to the movies because something's in 3-D.
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Nothing ventured, nothing gained. And venture belongs to the adventurous.
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Who is content with nothing possesses all things.
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Almost every evening, either I went to [Georges] Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's work. A canvas wasn't finished unless both of us felt it was.
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Adam Sandler is a remarkable movie brand.
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The WWE is based on, I think, reaction. You know, if you can't get a reaction, that means you can't put butts in the seats.
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The carved images on the early Minoan sealstones are tantalising, inscrutable. The Nature Goddess is yanked from the soil like a snake or a sheaf of barley; the Mistress of the Animals suckles goats and gazelles. There are male Adorants certainly - up on tiptoe, their outstretched arms hoisted in a kind of heil, their bodies arched suggestively, pelvis forward, before the Goddess - but there are no masculine deities, not a single one in sight. No woman worth her salt, one might think, could fail to be intrigued.
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Nothing justifies profanity.
