Karen Allen Quotes
For me, the motivation really was to work with Al Pacino. To me, that seemed like an incredible opportunity, just a learning opportunity because I thought so highly of him.
Quotes to Explore
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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I'm interested in giving business an opportunity by improving the tax environment to invest and grow with Pennsylvania, to expand and put more money in capital investment and creating jobs.
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My motivation is my desire to help people. If people want to have children and cannot in the normal way, and I can do something about it, then I will do so.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Many years ago, I really didn't know where the next work was coming from.
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If your faith is opposed to experience, to human learning and investigation, it is not worth the breath used in giving it expression.
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All the teaching I had ever received had failed to make me apply such intelligence as I was possessed of, directly and vividly: there had never been any sunshine, as regards language, in the earlier grey days of learning, for the sky had always pelted with gerunds and optatives.
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There is nothing deeper than to work for a year with the same artist.
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Managers in all too many American companies do not achieve the desired results because nobody makes them do it.
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I didn't do my work for money or prizes - only for the excitement of discovery.
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Teachers believe they have a gift for giving; it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.
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I love figuring out a stranger, sitting down and learning about their loves and struggles and everything. People are my jam.
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I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.
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I have always believed in quality work.
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I do not follow the rules of fashion, and I don't like to be considered a man of the world of fashion. I like to call it the 'style industry' because we try to work on taste.
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If we have a chance of succeeding and bringing stability and democracy to Iraq, it will mean learning from our mistakes, not denying them and not ignoring them.
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For me, if the words are good on the page, the rest of it comes from spending some time with the script, and not like you're learning lines but absorbing what the script has to offer.
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I don't work with Sia every day; it depends what we do, whether we do performances or music videos, so the schedule is weird, but when we're off, we always try to see each other in between. We just hang out; we went to brunch one time, but for the most part I go to her house, and we eat and watch TV.
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On paper, it was all there. It's unlike anything else on television or streaming and that can either bode well for it, or work against it. And it has worked for this show in an incredible way.
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All our best men are laughed at in this nightmare land.
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Creating the future means having a global vision and an extreme focus on the approachability of what we're creating.
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I grew up on 135th Street. I grew up on the poor side of New York. I grew up in Harlem.
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For me, the motivation really was to work with Al Pacino. To me, that seemed like an incredible opportunity, just a learning opportunity because I thought so highly of him.
