Nikki Sixx (Frank Carlton Serafino Feranna, Jr.) Quotes
What's exciting about being an artist, still, and what I'm really finding is awesome is that you can do it until you drop. I don't care how many lines I have on my face - I'll keep doing it!

Quotes to Explore
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Clinton has more important things to worry about. He not only risks being destroyed historically, like Afghanistan's Buddha statues; he also could end up going to jail.
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The best thing is to look natural, but it takes makeup to look natural.
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No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.
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Every time I see an adult on a bicycle, I no longer despair for the future of the human race.
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The Iraqis are not threatened by the Turks or by the Iranians or by the Saudis and they tell me that these are not weapons of mass destruction, they are weapons of self-destruction.
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What I've learned is that you really don't need to be a celebrity or have money or have the paparazzi following you around to be famous.
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You can get awful famous in this country in seven days.
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One must change one's tactics every ten years if one wishes to maintain one's superiority.
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I don't know of a soul who packed more living into 72 years than Charles Lindbergh did.
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I didn't have a sense of being in a show business family or of being different, partly because Los Angeles is an industry town, so you don't think about it as being special.
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! want to leverage the creativity of researchers across mathematics, statistics, data mining, computer science, biology, medicine, and the public at large.
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I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lifetime's work, and I don't profess to be anything other than a novice at it.
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Only in spontaneity can we be who we truly are.
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In this culture, where entertainers and athletes wield such power, it seems only right to me that they try to make their influence a good one.
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When I wrote 'Mushaboom', I was living in the second verse, but I suddenly found myself in the first.
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I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
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I did charity events with the Cup all the time.
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That every person is desirous to obtain, with as little sacrifice as possible, as much as possible of the articles of wealth.
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I was sitting in a restaurant.
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America tends to worship the modest talent because it doesn't put us in an uncomfortable position vis-a-vis the artist.
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I wasn't really taught about the value of money. I just learnt it as I grew up, but I do remember my dad telling me that it was important to always have some savings, and that stuck with me. I've always believed that putting money aside is a good thing.
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When my pop career was over, I was scratching my head, thinking, "God, how am I going to do something after I'm forty?" I was in my mid-thirties, thinking I was on the scrap heap.
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What's exciting about being an artist, still, and what I'm really finding is awesome is that you can do it until you drop. I don't care how many lines I have on my face - I'll keep doing it!