Hirokazu Kore-eda Quotes
The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
Quotes to Explore
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We do high heels, and people know us for that, but the idea of wearing a flat from day to night feels special.
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Today, currently, business owners can go out and find out if the person they are hiring is eligible to work here or if they are not. We need to think about how we are impacting workers.
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I don't feel that I've had a life of abuse or that I am a victim in any way. My life is pretty typical of a lot of Americans of my generation who grew up in the sixties in families like mine that were sort of unconventional.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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I was raised to believe that America was a force for good in the world and that it should take its leadership role seriously.
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You could time a suburban story by your watch: it lasts as long as it takes a small furry animal that's lonely to find friends, or a small furry animal that's lost to find its parents; it lasts as long as a quick avowal of love; it lasts precisely as long as the average parent is disposed on a Tuesday night to spend reading aloud to children.
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Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
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Terrorism is a psychological warfare. Terrorists try to manipulate us and change our behavior by creating fear, uncertainty, and division in society.
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The important thing is not to know who 'I' is or what 'I' is. You'll never succeed. There are no words for it. The important thing is to drop the labels.
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You need to create a place where young students can flesh out their business plans and further develop their research projects and then have a fund to help students get started in their businesses.
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The biggest thing as I have gotten older is the calmness that's come over me.
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The Trans-Siberian Express is like a cruise across an oceanic landscape. I've done it three times.
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I hate to let people down. I was like that in sports and I was like that in comedy. I was like that at work. When I worked General Motors and stuff like that, when I say something, I mean it.
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I don't know how many 78-year-olds are listening to 98 Degrees music.
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I don't want to be able to see the audience.
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Between good sense and good taste there lies the difference between a cause and its effect.
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I try to do things in one take, but doubling rhythm parts is always difficult, especially if you want things to cut the way I want them to cut.
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I don't think Hollywood per se is supposed to be taken seriously, otherwise, dear Lord, that would be frightening.
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Actually William wasn't there for quite a bit of the time initially, he wasn't there for Freshers Week, so it did take a bit of time for us to get to know each other but we did become very close friends from quite early.
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Mothers are the people who love us for no good reason. And those of us who are mothers know it's the most exquisite love of all.
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Generally, there are no lightning bolts or magical signs that tell you when it is time to get divorced. When the bad starts outweighing the good on a consistent basis, you may feel that taking the next step is appropriate. It is a very personal decision and most likely should be arrived upon with the help of some kind of counseling or support.
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My father was a tailor. He worked from seven o'clock in the morning until seven at night. At least when he got home, my mother always cooked him a very good dinner. Lots of potatoes, I remember; he used to knock them down like a dose of salts. He needed it, after a 12-hour day.
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The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
