Hirokazu Kore-eda Quotes
The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
Quotes to Explore
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We do high heels, and people know us for that, but the idea of wearing a flat from day to night feels special.
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Today, currently, business owners can go out and find out if the person they are hiring is eligible to work here or if they are not. We need to think about how we are impacting workers.
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I don't feel that I've had a life of abuse or that I am a victim in any way. My life is pretty typical of a lot of Americans of my generation who grew up in the sixties in families like mine that were sort of unconventional.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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I was raised to believe that America was a force for good in the world and that it should take its leadership role seriously.
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What would ultimately de-escalate the challenges of society would be for people to get educated, especially for more women to be educated because when more women are educated, they invest much more of their time and income in ensuring that the next generation would perform even more than they have done.
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You could time a suburban story by your watch: it lasts as long as it takes a small furry animal that's lonely to find friends, or a small furry animal that's lost to find its parents; it lasts as long as a quick avowal of love; it lasts precisely as long as the average parent is disposed on a Tuesday night to spend reading aloud to children.
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Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
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Terrorism is a psychological warfare. Terrorists try to manipulate us and change our behavior by creating fear, uncertainty, and division in society.
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The important thing is not to know who 'I' is or what 'I' is. You'll never succeed. There are no words for it. The important thing is to drop the labels.
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You need to create a place where young students can flesh out their business plans and further develop their research projects and then have a fund to help students get started in their businesses.
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The biggest thing as I have gotten older is the calmness that's come over me.
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The Trans-Siberian Express is like a cruise across an oceanic landscape. I've done it three times.
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I hate to let people down. I was like that in sports and I was like that in comedy. I was like that at work. When I worked General Motors and stuff like that, when I say something, I mean it.
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Many women try to advance in their careers by having all the answers; by being the go-to person for information and advice; or by building expertise in a particular field. However, as they progress, gain broader responsibilities, and grow into leadership roles, they realize that their span of control is too vast to be able to know every answer.
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I don't know how many 78-year-olds are listening to 98 Degrees music.
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I don't want to be able to see the audience.
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I am persuaded that the chief reason why we do not enjoy religion is that we do not try to enjoy it.
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But by all means, keep moving.
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Maybe 10 times a year I'll do a corporate date, but no casinos or no nightclubs or no comedy clubs.
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We started playing 'Free Bird' in clubs, and initially, it was just a slow ballad.
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The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
