Hirokazu Kore-eda Quotes
The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
Quotes to Explore
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We do high heels, and people know us for that, but the idea of wearing a flat from day to night feels special.
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I'm very independent, creatively, always trying to push myself - and I think that comes from my mother.
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Incidentally, our railroad facilities are under video surveillance by the federal police. However, the federal and state governments will have to determine whether video surveillance shouldn't be significantly expanded to a certain degree.
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Today, currently, business owners can go out and find out if the person they are hiring is eligible to work here or if they are not. We need to think about how we are impacting workers.
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I don't feel that I've had a life of abuse or that I am a victim in any way. My life is pretty typical of a lot of Americans of my generation who grew up in the sixties in families like mine that were sort of unconventional.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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I am going to Rio with a chance of a medal.
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Ted Kennedy is the only person alive who might know more than we do about Chappaquiddick, and he may not.
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I was raised to believe that America was a force for good in the world and that it should take its leadership role seriously.
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What would ultimately de-escalate the challenges of society would be for people to get educated, especially for more women to be educated because when more women are educated, they invest much more of their time and income in ensuring that the next generation would perform even more than they have done.
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You could time a suburban story by your watch: it lasts as long as it takes a small furry animal that's lonely to find friends, or a small furry animal that's lost to find its parents; it lasts as long as a quick avowal of love; it lasts precisely as long as the average parent is disposed on a Tuesday night to spend reading aloud to children.
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Some writers can only deal with childhood experience, because it's complete. For another kind of writer, life goes on, and he's able to keep processing that as well.
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Terrorism is a psychological warfare. Terrorists try to manipulate us and change our behavior by creating fear, uncertainty, and division in society.
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The important thing is not to know who 'I' is or what 'I' is. You'll never succeed. There are no words for it. The important thing is to drop the labels.
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The president has undermined trust. No longer will the members of Congress be entitled to accept his veracity. Caveat emptor has become the word. Every member of Congress is on his or her own to determine the truth.
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You need to create a place where young students can flesh out their business plans and further develop their research projects and then have a fund to help students get started in their businesses.
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The biggest thing as I have gotten older is the calmness that's come over me.
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As I get older ... I become more convinced that good government is not a substitute for self-government.
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One of the hazards of making a major discovery early in your career is the burden of expectation, not helped in my case by becoming a wife and mother soon afterwards. I'm sure some people think it was a flash in the pan.
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To have a part that is written for you certainly helps an actor.
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In New York, especially, so much of your life is spent on the streets. You don't always want to be driving around in an SUV with a security guard. You want to be able to walk to a restaurant; you want to go and do things.
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The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
