Hiroyuki Sanada Quotes
I was very comfortable on the set of Lost. I was so nervous when I went on to the set because I had just watched all the Lost episodes. I was, like, a fan. A big fan.
Quotes to Explore
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I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
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There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.'
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When I'm not working, I'm on the road with my band. Or I'm performing in poetry houses doing spoken work. So I've got another passion and another outlet that allows me to be creatively fulfilled and not sitting at home pulling my hair out waiting for the right role to come along.
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I think a child requires initial years of a mother's attention, which is very important, and I did it without any thought in the world. That's what I wanted to do.
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I'm a real girly-girl.
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I couldn't have attended half the parties that I was supposed to have been to according to the newspapers. It bothers me.
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Prayer is not an old woman's idle amusement. Properly understood and applied, it is the most potent instrument of action.
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To our brothers in Latin America and the world, we must convey that the Cuban people will overcome.
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Hate is a very strong and heavy emotion, probably as strong as love. I don't think I can live with hatred. If something bad happens, you feel bad about it; you forgive and move on. There's no hatred.
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If you think you're going to work with Cameron Crowe and not get into his music, you're crazy. But he doesn't force it on you. He doesn't force anything on you, which really makes things easier.
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I was very fortunate, during my early years as a paleontologist, in that my field crews and I made some remarkable discoveries indicating dinosaurs to have been extremely social.
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R is for wussies if you're talking about blood and guts.
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My mother has all my awards, because if I walked downstairs every day and saw all my achievements it would be so easy to become complacent.
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Music isn't just for professionals. We delegate all of our music and our dancing and our art to professionals. It's silly. We should be doing our own dancing and drawing.
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I really feel there's no limitation on what this band can do in the studio or on the stage. That's an empowering feeling - that we can bring a song to life.
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I don't want to get rich - just live good.
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That was FedEx Field the way I sure remember it, ... We needed everything we could get today to win this game.'
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I’d recommend learning to accept rejection. Become friends with rejection. Be nice to rejection, because it’s a huge part of being a writer, no matter where you are in your career.
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Sometimes, people end up thankful for what they mourned. You cannot achieve this state by seeking tragedy, but you can keep yourself open more to sorrow's richness than to unmediated despair. Tragedies with happy endings may be sentimental tripe, or they may be the true meaning of love.
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Every book leaves its mark on you. It might leave you hungry for that kind of book or you may be satiated, and you're eager to read something else. It might send you in a completely different direction. I love that about reading.
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When I finished touring 'Fur and Gold,' I was just like, 'What am I doing? What do I have? Where is my home?' I didn't really know where it was, so I went to New York to try and make it there.
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The hardest part of writing 'William Shakespeare's Star Wars' was probably the sheer amount of iambic pentameter and tiptoeing around certain scenes I knew would be hot-button issues for 'Star Wars' fans.
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I was very comfortable on the set of Lost. I was so nervous when I went on to the set because I had just watched all the Lost episodes. I was, like, a fan. A big fan.
