Lawrence Pearsall Jacks Quotes
A master in the art of living draws no sharp distinction between work and play.
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Quotes to Explore
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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Number 4 should have been number 1. Thanks, Honey.
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I've never got into debt and I've always been in control of my taxes and VAT, but having four children costs a lot. They are my weakness.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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It is nasty. You can think that you know someone in this business and you really don't. You can be stabbed in the back very easily. You can be praised very easily. It doesn't matter who you are or what you do.
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I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
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Our emerging workforce is not interested in command-and-control leadership. They don't want to do things because I said so; they want to do things because they want to do them.
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Morrissey wrote a really gorgeous song for me. I'm crazy for that man. And he thinks I'm hip!
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Education is at the heart of achieving your dreams.
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My normal life is like being on holiday.
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We do not need more intellectual power, we need more spiritual power. We do not need more of the things that are seen, we need more of the things that are unseen.
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Living here in North America - I have been Americanized. When I go back home now, there are things that I have far less tolerance for in South Africa. We've come such a long way in terms of race relations and the economy as well as people's willingness to move on. There are still a lot of things that are frustrating about being in South Africa.
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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The events in the square, of course, made a deep impression on me and many other parents.
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I have always believed that it's important to show a new look periodically. Predictability can lead to failure.
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I love a vintage look that's also a bit rock n' roll.
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Anyone who thus looks up has some chance of becoming worthy to be looked up to in turn.
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I don't think limits.
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Lately, I've been getting too much attention with the Met Gala and work going so well that I try to find rejection in my day. I'll seek out someone on the street or at the farmers' market and ask for something where I know they'll say no. No one likes rejection, but it's real. And I don't want to lose that feeling.
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I have a fantastic respect for Liverpool the city, club and the fans, from the time I spent there. That respect will always be there.
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I'm motivated every second by my work; it doesn't switch off.
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I really feel like my goal, and I don't always achieve it, is to do the best work I can do, and stay out of the results. Because ultimately, the result is not what the work is about. There are other people whose jobs are to focus on those results and maximize them, and that's great. Let them do their job.
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Over a longer period of time, it would be a significant problem.
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A master in the art of living draws no sharp distinction between work and play.