Karin Slaughter Quotes
Quotes to Explore
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The first prize for any production is, if you can find a location that means you don't have to build sets, that will serve, and is not excessively expensive to hire, then it can save you a lot of money.
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As an entrepreneur, you only fail when you give up.
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I'm involved with Kid One Transport and Studio by the Tracks in Alabama. Kid One literally transports kids to better health by giving them transportation they may need to get medical care. Studio by the Tracks is an art outlet for mentally challenged children.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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A lot of people can't remember things because they weren't actually there to begin with - they don't take it all in.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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There is a degree of confidence exhibited towards strangers in Sweden, especially in hotels, at post-stations, and on board the inland steamers, which tells well for the general honesty of the people.
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While day by day the overzealous student stores up facts for future use, he who has learned to trust nature finds need for ever fewer external directions. He will discard formula after formula, until he reaches the conclusion: Let nature take its course.
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I like somebody who's not so crazy but likes to have a good time... and who is thoughtful and kind and easy to laugh with. Somebody you can just be yourself with one hundred and fifty percent.
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I write the novels that are possible for me to write, not that ones I think will come across in a certain light.
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You were not wanted. You were, at best, tolerated. You had to be constantly on your guard, like an animal in a jungle full of beasts of prey. You experienced it all within the short distance of five miles from the gates of St. Peter's to Park Station in the city.
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Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
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The thing is that pictures are everywhere. The question is what we don't see, and why don't we see so much. I just see it.
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I didn't have any friends, and I never went to the class parties.
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I'm engaged to Hollywood. If there's something I find I have to do, I'll do it. Otherwise, I'll just stay home and have a vacation.
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My philosophy is I'm raising future adults, not children.
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Let not the 12 million Negroes be ashamed of the fact that they are the grandchildren of slaves. There is dishonor in being slave-owners.
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That's one of the great things about comedy: we can - and should - say the things that other people aren't supposed to say. If we didn't do that, if we didn't push against those limits, we'd just be standing around onstage and yelling.
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My husband was working as principal of an urban transformation high school - the kind of public charter school determined to do whatever it takes to give its mostly minority, low-income student body the education they need and deserve to be successful in life.
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When my film flops, I believe it is my mistake. There have been times when I didn't come out of my house because my films didn't do well. I lock myself in for months. I don't talk to people. I feel bad for producer, director, for those who lost money. It's never about myself or my career alone.
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If you're going to walk out of the house in jeans and T-shirt, what can you do to make that interesting? Is it putting on a bright-colored pair of high-tops or a cool leather jacket?
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Saturday night at my house, I often trot out classic movies and force the urchins to watch them. There is much wailing and gnashing of teeth, but I think it's important to teach kids about American culture, and films are certainly a big part of it.
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Random House is definitely invested in keeping libraries healthy.
