Florence Welch Quotes
What I really like seeing from the stage is people having their own moments, when people are doing some performance of their own.
Quotes to Explore
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If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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My people were homesteading in Colorado before Emancipation.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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My favorite moments? Where it's all going swimmingly, the sun's out and I've got a fire going and a nice snake on the barbecue.
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I've lived most people's dream by playing football.
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Nobody should be too boastful or too proud about their security because there are people who have a major interest in cracking the security of networks, the security of companies.
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I try to beat back the producers and engineers so they - there's not an excess of stuff used to squeeze my voice to make it artificial. There's a person in there, and people will listen; if they hear another person speak to them, they'll listen because it's lonely out here.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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When you do acoustic shows, there's always a more intimate vibe. I go into them with lowered expectations and assume that people don't want to hear me.
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I am bullish on the global development. I am bullish on billions of people getting out of poverty.
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When we say Afro American, we include everyone in the Western Hemisphere of African descent. South America is America. Central America is America. South America has many people in it of African descent.
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This may sound trite, but bad things happen to good people, and when you're facing terrorism, natural disaster, you can have every wonderful plan in place, but I am a realist.
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Several years ago, when I was about to start a novel, I thought I might get some mileage out of the idea of a civilization in which people somehow felt - that is, they shared - all the pain and all the pleasure they caused one another.
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I believed that old people never laughed. I thought they sighed a lot and groaned. They walked with sticks, and they didn't like children on bicycles or roller skates... or with big dogs.
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You really think that on my films people tell me what to do? I don't think so. On my films I decide.
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Even during my youth, I can recall very few black people living on any kind of public assistance. People were working, doing some kind of job that was useful to the community.
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I fell in love with music by listening to R&B, & it's the core of who I am.
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The truest test of civilization, culture and dignity is character and not clothing.
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I used to say I didn't want to teach. I was still excited about dancing. It's hard to do both. It's as exhausting teaching as it is to dance.
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So, for the most part, I really like when I read a scene that scares me and makes me sweat a little bit, thinking about doing it. That's usually a good sign to me.
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What I really like seeing from the stage is people having their own moments, when people are doing some performance of their own.
