Manuel Puig Quotes
Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
Quotes to Explore
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If you make a film too American, it won't travel. It will have no life outside of its own country.
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There's nothing more fun to me than new characters and a new world.
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If we do not provide education for every single American, we are consigning those without an education to second-class status.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I wrote five issues of that and got the sack. Actually, they paid me for eight, but they changed their minds about the direction and threw three issues out the window.
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When I was younger, it was like, 'Yay, lesbians love me!' I didn't know there was a responsibility that came with it.
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I've gone very far, far away, but my character keeps me close to home.
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Every story I create, creates me. I write to create myself.
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Nobody ever went broke underestimating the taste of the American public.
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I was a star in Italy, Austrailia, Germany and Japan before the American stations ever paid attention at all.
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I simply can't wear an outfit if I don't feel that is right for me.
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I am not fearless. I get scared plenty. But I have also learned how to channel that emotion to sharpen me.
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To be honest, I don't even exactly know how to set up a Google alert. My brother has me on Google alert. So do my parents. But I'm not even sure how it works.
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I guess when I first started speaking with an American accent, there's a tendency to create a caricature of the accent because you just exaggerate the pieces that stand out to you.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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Fashion is that thing that saved me from being sad.
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I have some security that could protect me against provocations but of course there are more terrible actions that could not be stopped by any security.
Garry Kasparov -
An Englishman teaching an American about food is like the blind leading the one-eyed.
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If you like to read, sometimes it's interesting just to go and see what the reality is, of the word, of the seedy or not so seedy fiction writer, the drunk or sober poet... Sometimes you can go looking for illumination.
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So, fortune cookies: invented by the Japanese, popularized by the Chinese, but ultimately consumed by Americans. They are more American than anything else.
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There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
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Foreign policy will require a strategic agility that, whenever possible, gets ahead of problems, strengthens U.S. security and alliances, and promotes American interests and credibility.
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Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
