Walter Gropius Quotes
The general public, formerly profoundly indifferent to everything to do with building, has been shaken out of its torpor; personal interest in architecture as something that concerns every one of us in our daily lives has been very widely aroused; and the broad line of its future development are already clearly discernible.

Quotes to Explore
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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Africa has no future.
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When you have a core group of young players as we do, the future looks bright.
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There are things that government can do to incentivize the free market to do a better job, yes. But is that a replacement for getting in the way, actively, of the fossil fuel industry and preventing them from destroying our chances of a future on a livable planet? It's not a replacement.
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If I want to speculate wildly about the future, I have my science fiction. Anybody who tells you they can predict the future is either crazy or lying.
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But every company of the future is going to be in the business of exquisite care - which means quick turnaround time and convenience. To deliver exquisite care, you need an organization that coordinates well and listens well.
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I'm based here in L.A., but I think in the future I might consider settling down in Malaysia when I start a family.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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To tell you the truth, I hadn't seen any Pixar until I went to see 'Wall-E,' and I watched it and I was shocked to see how adult it was, with the setting in our lives, both present and future, and how they dealt with it... And then quite relieved to find that the one I was working on, 'Up,' how adult it was.
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I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
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You don't have to spend much time in Shanghai before you start to get all existential about the meaning of authenticity. Did you know that Shanghai is building nine satellite towns, each designed to mimic the architecture and culture of a different country?
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Building sustainable cities - and a sustainable future - will need open dialogue among all branches of national, regional and local government. And it will need the engagement of all stakeholders - including the private sector and civil society, and especially the poor and marginalized.
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We know that often holding those who have carried out mass atrocities accountable is at times our best tool to prevent future atrocities.
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The terrifying and edible beauty of Art Nouveau architecture.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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We have global interests, potential threats from elsewhere, North Korea, Iran, Taiwan Straits and the like. We must be prepared for any future threat. That is why it is important that this be a transition year, 2006.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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Before the Civil War, the Negro was certainly as efficient a workman as the raw immigrant from Ireland or Germany. But, whereas the Irishmen found economic opportunity wide and daily growing wider, the Negro found public opinion determined to 'keep him in his place.'
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America was probably Europe's equal scientifically by the end of World War I and certainly surpassed it after the chaos of World War II.
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Between an uncontrolled escalation and passivity, there is a demanding road of responsibility that we must follow.
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I worked hard when I was a consultant. I worked hard when I was in graduate school looking at neuroscience. I worked hard as a teacher. But those are completely different career paths. And the lack of direction is why I didn't get far enough in any of those things.
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A lot of my friends are in Australia, and it's definitely nice to get back there.
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I am not carefree. I'm just not. I experience an immense amount of joy, a crazy amount of joy through sadness and so much struggle. There's something problematic about 'carefree black girl.'
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The general public, formerly profoundly indifferent to everything to do with building, has been shaken out of its torpor; personal interest in architecture as something that concerns every one of us in our daily lives has been very widely aroused; and the broad line of its future development are already clearly discernible.