Babatunde Adebimpe Quotes
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I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it's even worse thinking that it'll go away if you just ignore it.
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No one wanted a job. No one could hold a job. You tend to see those going hand in hand.
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When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
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A lot of people have reunion things, but I think bands are supposed to break up.
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You can physically move yourself around but there's that great line that Adam wrote: "Does it define for life, like print of thumb?" I think it does.
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I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.
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Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.
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One second you're having the time of your life in front of all these people, and then you come backstage to the exact opposite - there's only lukewarm carrots back there.
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The cynicism doesn't come across in the final; it can be taken as a very sincere plea for someone to not go away.
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It's insane when someone shows up to your show and is like, "You could run off with me right now!" I'm like, "It's cool, I think I'm gonna go read."
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You have to be a really talented writer if you're trying to encapsulate a news story with a song and have it live after the event. I don't have the focus to do that, really.
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Touring is really a weird social experiment, even though everyone thinks it's a party every day.
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The feeling of being halfway through a show and just realizing that there's nothing you can do to save it - it's a horrible feeling.
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Most of the bands that I really like no longer exist. That might just be because I'm in my thirties or whatever. But I also think it's the rare band that doesn't, like, turn into something else.
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I want to be around these positive, expressive people who are doing something different and who also want to get the hell out of there and don't want to be around basic human bullshit.
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I like the model of people getting together to make something when they want to do it and not being dictated to by a cycle.
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Ten years is a pretty good run for anything.
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If anybody won life, David Bowie did, at least as a creative entity in the sense of writing yourself into existence and writing yourself out in such a graceful swoop.
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I've had terrible, terrible, terrible shows where I just thought, "That was off-key" or I forgot lines or I thought I looked like an idiot, and then you're leaving and talking to people, and they're like, "I had the best time of my life! That was amazing!" You just never know.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there's more than 808s in the universe.
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Painting and animation can be kind of long work. Music was more immediate and more fun.
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There was something in me, even leaving fifth grade, that hit me and said, "I have to get out of here. I don't know where, and I don't know what else I can do but I'm really not going to end up like any of these people."
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My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
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Adam is one of my favourite writers, period. He has such a unique voice and he's somebody who I admire so much for putting the effort into inventing his own language and furthering it.