E. J. Hughes Quotes
Although not of the quality of my later work, I feel there is some quality to it [my early work] in an art sense, and probably some additional quality in a biographical sense.
Quotes to Explore
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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Often I look back and see that I had been many kinds of a fool-and that I had been happy in being this or that kind of fool.
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Christmas is, of course, the time to be home - in heart as well as body.
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Reach, and all that other stuff, doesn't play as big a part in MMA as it does in boxing. Guys don't really fight with their length all that much, because they have to worry about the takedown or kicks. They have to worry about so many other things that they can't just fight real tall.
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My arrest in Egypt happened in 2002, and I was convicted to five years as a political prisoner.
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There's nothing that will change someone's moral outlook quicker than cash in large sums.
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While Romney has an overall deficit with women voters, his biggest disadvantage is with college educated women - wherever they work, at home, in an office, a store or a factory.
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Once you are labeled 'the best' you want to stay up there, and you can't do it by loafing around.
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People who relieve others of their money with guns are called robbers. It does not alter the immorality of the act when the income transfer is carried out by government.
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Listen to my voice - I sound like I'm permanently congested.
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Drama happens in big cricket matches. But also in small cricket matches.
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I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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In the country the darkness of night is friendly and familiar, but in a city, with its blaze of lights, it is unnatural, hostile and menacing. It is like a monstrous vulture that hovers, biding its time.
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It will be thought that I am acting strangely in concerning myself at this day with what appears at first sight and simply a well-known method of fortune-telling.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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I find hope in the darkest of days, and focus in the brightest. I do not judge the universe.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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Sometimes films might not work, but you as an actor should keep working. Because no matter how much you panic about how your film didn't work, eventually, when you step out in the real world, there are people who value you as an artist.
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I try to do the story the way I feel the story should be done, and how that folds into whatever larger sorts of categories or questions is really none of my business.
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Quotations in my work are like wayside robbers who leap out armed and relieve the stroller of his conviction.
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Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections.
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I sometimes feel like a British writer more so than I feel like an American writer. But I think that has to do with my subjective understanding of what it means to be either of those things.
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I hated being depressed, but it was also in depression that I learned my own acreage, the full extent of my soul.
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Although not of the quality of my later work, I feel there is some quality to it [my early work] in an art sense, and probably some additional quality in a biographical sense.
