Marion Chesney (M.C. Beaton) Quotes
I never wanted to be a literary writer. I wanted to be an entertainer. All I wanted was to give what a lot of writers had given me: a good time on a bad day.
Quotes to Explore
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I've been traveling all over the world for 25 years, performing, talking to people, studying their cultures and musical instruments, and I always come away with more questions in my head than can be answered.
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In time we grow older, we grow wiser, we grow smarter, and we're better. And I feel like I'm becoming more seasoned, although I don't have my salt-and-pepper hair.
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Most people live in the city and go to the country at the weekend, and that's posh and aristocratic, but actually to live in the country and come to London when you can't take it any more is different.
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Energy and bitcoin work really well together because you can pay out in micro-transaction units. As the energy gets used, they pay out, and it's by the kilowatt rather than by the month.
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If people don't find what you are doing threatening, then it is probably not very important.
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An actor has to embody a role.
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I don't look at myself as suffering.
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Almost immediately, I remember right when Tikrit even fell, a few days after Baghdad fell, there was talks of insurgency, there was talks of jihad and of resisting the American occupiers, and slowly this turned into an organized movement.
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You have succeeded in life when all you really want is only what you really need.
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Any fool can write a novel but it takes real genius to sell it.
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I was born technically in D.C., and then my family moved to the Columbia area when I was in elementary school. It was right on the line between Clarksville and Columbia in Howard County. I remember it being just like a peaceful, safe atmosphere. I always felt connected to the woods and that whole suburban feel.
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Depending on where my self-confidence was, growing up, I would use humor either to bring people closer, or to keep them away from certain feelings I had.
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Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.
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I am a very reserved person and have very few friends in the industry, while most of my close ones are from school and college.
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There is something about building up a comradeship - that I still believe is the greatest of all feats - and sharing in the dangers with your company of peers. It's the intense effort, the giving of everything you've got. It's really a very pleasant sensation.
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I've had money thrown onstage, dollars, couple of five-dollar bills. I took the money, but it wasn't much.
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I skate all the time, but it's silly for me to do contests when MTV is giving me a boatload of money.
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People always give me styling products and stuff.
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Man brings all things to the test of himself, and this is notably true of lightning.
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Faithful to the word given and the idea had. All else is up to God!
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I've put in as many as 40 weeks a year on stage. It is lonely and restricted, as all artistic life must necessarily be.
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The magic of playing has to do with how much everyone wants it to succeed. If you have five players in a situation where the music is being improvised and one is determined it is not going to succeed, it won't succeed even if one of the musicians takes control.
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We want to take a decision that is part of a solution, not part of a problem, and therefore it has to be well explained and understood by everybody.
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I never wanted to be a literary writer. I wanted to be an entertainer. All I wanted was to give what a lot of writers had given me: a good time on a bad day.
