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From my side, there was no acceptance to this fact that I am any less than anyone around me. So there was a certain discomfort that I felt growing up that I am not seen as I want to be seen as.
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Modesty is good. But not when it comes at the cost of honesty.
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Women empowerment does not mean you create complex among men. Then it will take 20 more years to empower men. It is all about evolving as a soul, as a human being. It does not mean that you become a sexist.
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I am an independent girl. I always put my work first in my priority.
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My father is a businessman, and my mother is a schoolteacher.
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The glorification of sisters, mothers as the selfless Indian women who will do 'agni pariksha' and the one who sees her own betterment only in the betterment of their husbands and fathers, that has to stop. It's very regressive.
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My ancestors are Rajputs from Jaipur, a lineage of the royal family.
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At 18, I wanted to work with the creme de la creme because I thought that was the only way to be successful. But I don't think any A-lister has done as many B-grade films as I have.
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It's not like what I do or what I wear is my copyright. What I'm wearing now also is an inspiration. It is how I saw it on the mannequin, and I just wore it, so it's in a way copied. But obviously, I wouldn't want to spend my life thinking about dresses. It is such a waste of life.
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I am a very proud Hindu. The foundation of my personality is laid on the teachings of Swami Vivekananda or Sanatan Dharm or the Geeta. And if my religious practices or anybody's religious practices is given any kind of sadistic name, it instills fear about other person's religious practices.
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My parents gave me the easy option that if you're going to go your way, that's the highway. You can expect no funds and no support, which I think was legitimate; that was a fair option.
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I think the kind of films and roles I do takes a whole year... I think it is justified. At some point, we have to come to that place where we are equally paid. It is a small step... we are headed to that direction.
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I don't really give into all that philosophical talks that 'money is not everything.'
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All beautiful things in this world are because of women.
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What people see is just your career graph and the films you do. But that's a very small aspect of my life.
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My sister and I had jointly heard the narration of 'Revolver Rani' in Tigmanshu Dhulia's office. After hearing the narration, my sister was very scared and adamant that I should not do this film, as my character was twisted, neurotic, violent and abusive.
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I think there are things that you look for when you're younger, and you think they are going to make you happier or make you feel complete. That's not going to happen, and it's really about living the moments. Eventually, you reach a point when you're at ease with your life and don't have any unrealistic expectations.
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Physically, it is very demanding as an actor, and I don't want to put a lot of focus on that, but I think it is emotionally and mentally a lot more... It can completely twist you... We abandon ourselves for days and months, and by the end of it, we are twisted people which you make fun of.
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In 'Rangoon', I play an action star of the 1940s.
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I would never be able to spend all my life in a busy city like Mumbai.
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Tone matters more than words.
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I don't feel like a 27-year-old; I feel I am way mature than someone that age.
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Male actors get into production, share profit, and they don't take money at times but are involved in some capacity which is economical and resourceful. These things suit them; as they have made a place for themselves, they have command over the box office.
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Even when I was rebelling against my father, the point was to follow my own intuition and instinct.