Gabriel Campisi Quotes
I found my father's Super8mm film camera when I was around eight years old and started shooting with it. I had no idea what I was doing at the time, but that's really where my filmmaking began.
Quotes to Explore
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Obviously, as you get a little older, you are not going to be quite as quick or quite as strong, and so I might be regarded by some as the underdog... There is actually a statue of Big Ben and I in Perth, Ont., and I was on a Canadian stamp once, and normally you have to be dead to do either of those things, and, well, here I am, still going.
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I particularly like Hershey's chocolate - the kind which has almonds in it.
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Prior to the Civil War, most libraries were either privately owned or housed in universities or churches.
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The fact that we live in a world where black people have to strategize so they're not brutalized by police is insane.
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I have a love/hate relationship with just about everything, but certainly with America.
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In tennis, because of the way it's scored, I don't think that scoring one point out of luck is ever decisive in winning. But, of course, it depends on the moment.
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There's no doubt in the world that directing makes you a better actor. Me, anyway. There's no doubt in the world that it makes me a more collaborative actor.
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The horror genre is not my favorite. I think it's fun, there's a great place for it and I get a kick out of it, but some stuff I'm too old for. You can't just take 10 guys and stick them in a cabin and off them one at a time - I'm not vested.
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I don't know what DVD commentaries are about. I'd like to strangle the person who came up with that concept.
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Fall 2013 was inspired by the 1970s equestrian lifestyle. I wanted to incorporate the moody and romantic - intricate baroque detailing and classic menswear elements - with something tougher and edgier in a nod to London's rock n' roll underground.
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But if I have a lot of imagination, I could tell myself whatever I wanted, you know. I handle myself quite well. I'm kind of fascist with myself, you know. There's no discussion. There is an order. You follow it.
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Hedge funds are not especially liquid. Many are 'gated' - meaning there are only small windows when you can withdraw your money. They typically have a high minimum investment and often require investors keep their money in the fund for at least one year.
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When confronting most crises, whether historic or contemporary, aid agencies generally muddle along on a case-by-case basis. They weigh insufficient information, extrapolate somewhat blindly about long-term pros and cons, and reluctantly arrive at decisions meant to do the most good and the least harm.
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The '$O$' phase, it was like, 'Save Our Souls': we didn't know how we were going to get out of our situation... It was our last chance just to go all out. 'Ten$ion' was another phase, to maintain the tension we had, just to pretend nothing had happened and stay in that same furious, hungry zone.
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Modern theory is about objects lower than man; even stars, being common things, are lower than man.
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I'm under five feet; I'm very small, 4'11 1/2.
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One of our first jobs was at Saba Software. We were helping them build their products for the cloud. We wanted to build our own product and move away from consulting. We were looking for a change. The CEO of Saba introduced me to Marc Benioff.
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I think it's possible to be multi-rooted, rather like a banyan tree, without being deracinated.
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When you grumble about a taxi being dirty, people your own age will absolutely agree with you, whereas younger people say, 'You should be so lucky to have a taxi - I walk to work!' So I have lots of young friends, who fortunately don't treat me as a guru, a person that knows all the answers.
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The most widely criticised singers in the history of opera, Maria Callas and Franco Corelli, happen also to be the best singers. I am honoured for being part of their group.
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The most important thing is jobs.
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My grandmother was a Muslim. My mother is Christian. And I don't know what I am, but I believe in God.
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It took me a long time to be alright with smiling onstage.
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I found my father's Super8mm film camera when I was around eight years old and started shooting with it. I had no idea what I was doing at the time, but that's really where my filmmaking began.
