H. H. Asquith Quotes
There is no more striking illustration of the immobility of British institutions than the House of Commons.
Quotes to Explore
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I think millennials are a generation that's a little bit behind, maybe four or five years behind the previous generation, as far as when they buy a house.
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I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
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Yes, we're pretty into books around my house. We have lots and lots of books around. We have TV, but really no one ever watches it.
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I've always wanted to be an actress, ever since I was a little girl. I've always played the mom and I play my sister as the daughter. I wanted to be an actress on television and movies instead of just around the house.
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Reparations, I believe, are talked about for political reasons, trying to cater for the purpose of getting votes. If Congress was serious about reparations - in '93 and '94 the Democrats controlled the House, the Senate and the White House, and not one single Republican vote was needed for reparations.
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I know how to fake someone out, if they break into my house, into thinking there are other people there.
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I grew up watching my mom and dad selling rooms in our motels. We had CEOs coming to our house so that my dad could persuade them to have their executives stay in Hyatt hotels.
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My house is filled with books, most of which I have read, some of which I intend to eventually get to. I'm always reading at least one work of fiction and one work of non-fiction simultaneously. Whatever mood I'm in, there's always a book nearby to suit it.
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I don't know any member of Congress who ever said, 'I'm satisfied with the communication that we have from the White House.'
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I'll see a celadon green room in an 18th century New Hampshire house and just fall in love. Colors stay in my head.
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The opera is to music what a bawdy house is to a cathedral.
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All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.
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I've read stories that are set in a celebrity's house, and you know where it is and what it looks like and what's inside it, and that's not something I want anyone to know.
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Like most women, I have days where I feel like today I'm not leaving the house - you know days where you've got a spot on your nose or when you've just got off a flight, eaten fish and chips and feel really bloated - that one happens a lot to me.
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In London it's easy not to be the focus of attention, especially when Sting lives in the house just behind you.
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I worked for the Office of Management and Budget in the White House, on nuclear energy policy. But I decided it would be much more fun to have a specialty food store, so I left Washington D.C. and moved to the Hamptons. And how glad I am that I did!
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
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If you stay in a house and you go to the bathroom and there is no toilet paper, you can always slide down the banisters. Don't tell me you haven't done it.
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My house is modern, but I like my writing room to be old fashioned. I write on a little wooden secretary desk.
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There is no more striking illustration of the immobility of British institutions than the House of Commons.
