Yasutaka Tsutsui Quotes
Quotes to Explore
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You go to a theater now and you literally see parents watching the movie and they suddenly cover their kid's ears. I figured I'd make one movie where they didn't have to do this.
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I want to direct what I feel is interesting - not what is supposed to be my zone.
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It's always hard, when introducing readers to a new world/set of rules, not to lay it all out manual-style in the opening chapters but make sure to put the action and the characters at the front. If people don't become invested in them and in the story, the world in which it's set will become a burden.
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People forget I go to work. They forget that the Coleridge house was bought and paid for by the daughter of a travel agent and a barmaid from what the actor Richard Burton once described as the nightmarish 'featureless suburb' of Croydon.
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Smaller wrestlers are built for more exciting matches.
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I've personally backed off from direct political involvement.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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Pregnancy is a very creative phase for me.
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The first step is clearly defining what it is you're after, because without knowing that, you'll never get it.
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My father had very little formal education.
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I've been doing African dance all my life.
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Born in 1936, I experienced the Second World War as a child in the city of Gelsenkirchen-Buer. This area was heavily bombed, but fortunately, all members of my family survived the war and post-war period.
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So being two different people in one day unnerved me to no end.
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Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
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My biggest hobby is airsoft, which is similar to paintball. Essentially, it's military simulation, but the guns shoot plastic BBs. My friends and I go out in the woods or the desert and play all day long!
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In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life.
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Nobody ever wants to really make someone feel bad.
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The only danger about websites, you know, is people who remember something you did or said thirty or forty years ago, and bring it up against you, so you're going for a job and you don't get it.
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To really be centered and to really work well and to think about the kinds of things that I need to think about, I need to spend large amounts of time alone.
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Sometimes, America, when something's too bad, we don't want to look at it. We want to turn our head.
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Successful people are not interesting. I feel for the losers. That's where my heart lies.
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Climate change might be disastrous, but does that mean we want carbon taxes that raise the price of a gallon of heating oil to $10? And how exactly will those taxes affect economic growth?
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As soon as you take your hobby and make it into your profession, it sort of kills it as a hobby.
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Time waits for no one.
