Madeleine de Souvre Quotes
We so love all new and unusual things that we even derive a secret pleasure from the saddest and most tragic events, both because of their novelty and because of the natural malignity that exists within us.
Quotes to Explore
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I never want to hold myself up as the poster child of the successful mother-businesswoman. It's a total 'Gong Show.' I won't pretend. When you do so many things, something always suffers. You just can't be great at everything.
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The inspections started in 1991, right after the Gulf War. One of the conditions for the ceasefire was that Iraq had to do away with all of its weapons of mass destruction - biological, chemical and nuclear weapons and long-range missiles.
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Being famous gets me good concert tickets, good tables in restaurants, good seats at sporting events and that's really about it.
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When I do a character, I try to base it on someone I have met or an experience I've had.
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The deadliest foe to virtue would be complete self-knowledge.
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I have changed so much as an actor over the years.
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You get to a point where it's like you can't really do anything right, and people will pick on you for whatever decisions you make, so I just try and take no notice and get on with my music.
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I do go into things thinking, 'Right. I'm going to enjoy this.'
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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What a cool job to be part of - whether it's doing lighting or acting or serving food on set. You're part of telling a story that hopefully has an essential component, and that's super exciting to me.
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Her body calculated to a millimeter to suggest a bud yet guarantee a flower.
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Most faults are not in our Constitution, but in ourselves.
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I learned that when you stand up for what you believe in, you'll get a lot of support. But there are always going to be negative things said about you.
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Listen, anybody who has a film festival has the right to show what they want.
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When I chose Mississippi State, of course I dreamed about being a big-time college football player. But I'm so grateful that actually became a reality - and it became a reality in a small town.
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I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.
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In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him.
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I think that that's so true for a lot of first responder families and military families. If you ask them, 'Is there anything I can do for you?', they almost always will not ask for that help.
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They have repeated their arguments but the substantive position has not changed.
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I don't believe that China, in my lifetime or maybe my children's lifetime, be equal to the United States militarily speaking, but they are very careful to avoid any engagement in war, they are basically a peaceful country, which gives them another advantage over the United States when we are much more inclined to go to war for various reasons.
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That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains.
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Style has no formula, but it has a secret key. It is the extension of your personality. The summation of this indefinable net of your feeling, knowledge and experience. Take colour as a totality of relations within a framecolour is joy. One does not think joy. One is carried by it.
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We so love all new and unusual things that we even derive a secret pleasure from the saddest and most tragic events, both because of their novelty and because of the natural malignity that exists within us.
