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Rembrandt is so deeply mysterious that he says things for which there are no words in any language.
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If you work with love and intelligence, you develop a kind of armour against people's opinions, just because of the sincerity of your love for nature and art. Nature is also severe and, to put it that way, hard, but never deceives and always helps you to move forward.
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I tried to express through red and green the terrible passions of humanity.
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You will say that everyone has seen landscapes and figures from childhood on. The question is: Has everybody also been reflexive as a child? Has everybody who has seen them also loved heath, fields, meadows, woods, and the snow and the rain and the s.
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In order to work and to become an artist one needs love. At least, one who wants sentiment in his work must in the first place feel it himself, and live with his heart
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It's as interesting and as difficult to say a thing well as to paint it. There is the art of lines and colours, but the art of words exists too, and will never be less important.
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Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, 'What do I care if there is a summer; its warmth is no help to me now.' Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.
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What am I in the eyes of most people - a nonentity, an eccentric, or an unpleasant person - somebody who has no position in society and will never have; in short, the lowest of the low. All right, then - even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
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It constantly remains a source of disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome at once. To make progress is a kind of miner’s work; it doesn’t advance as quickly as one would like, and as others also expect, but as one stands before such a task, the basic necessities are patience and faithfulness. In fact, I do not think much about the difficulties, because if one thought of them too much one would get stunned or disturbed.
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Both she and I have grief enough and trouble enough, but as for regrets – neither of us have any.
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Drawing is the root of everything, and the time spent on that is actually all profit.
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There are colors which cause each other to shine brilliantly, which form a couple which complete each other like man and woman.
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It's better to have a gay life of it than to commit suicide.
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A woman is not old as long as she loves and is loved
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Paintings have a life of their own that derives from the painter's soul.
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You can't be at the pole and the equator at the same time. You must choose your own line, as I hope to do, and it will probably be color.
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It interests me tremendously to make copies... I started it by chance and I find it teaches me things.
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At one time, the earth was supposed to be flat. Well, so it is, even today, from Paris to Asnieres. But that fact doesn't prevent science from proving that the earth as a whole is spherical. No one nowadays denies it. Well...we are still at the stage of believing that life itself is flat, the distance from birth to death. Yet the probability is that life, too, is spherical and much more extensive and capacious than the hemisphere we know.
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There is but one Paris and however hard living may be here, and if it became worse and harder even—the French air clears up the brain and does good—a world of good.
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Christ alone, of all the philosophers, magicians, etc., has affirmed eternal life as the most important certainty, the infinity of time, the futility of death, the necessity and purpose of serenity and devotion. He lived serenely, as an artist greater than all other artists, scorning marble and clay and paint, working in the living flesh. In other words, this peerless artist, scarcely conceivable with the blunt instrument of our modern, nervous and obtuse brains, made neither statues nor paintings nor books. He maintained in no uncertain terms that he made ... living men, immortals.
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And when I read, and really I do not read so much, only a few authors, - a few men that I discovered by accident - I do this because they look at things in a broader, milder and more affectionate way than I do, and because they know life better, so that I can learn from them.
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Spring is the fresh green of young corn and the pink blush of blossoms. Autumn contrasts the yellowed foilage with violet hues. Winter is the white of snow against its black forms ... Summer is the contrast of blues and the golden bronze of the corn.
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It seems to me it's a painter's duty to try to put an idea into his work.
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Don't lose heart if it's very difficult at times, everything will come out all right and nobody can in the beginning do as he wishes.