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Doing little things well is a step toward doing big things better.
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I will not live without love.
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It's as interesting and as difficult to say a thing well as to paint it. There is the art of lines and colours, but the art of words exists too, and will never be less important.
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Everyone who works with love and with intelligence finds in the very sincerity of his love for nature and art a kind of armor against the opinions of other people.
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It was Richepin who said somewhere, 'The love of art means loss of real love'... True, but on the other hand, real love makes you disgusted with art.
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If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced.
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Cobalt is a divine color and there is nothing as fine for putting an atmosphere round things. Carmine is the red of wine and is warm and lively like wine. The same goes for emerald green too. It's false economy to dispense with them, with those colors. Cadmium as well.
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Painters understand nature and love it, and teach us to see.
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You can't be at the pole and the equator at the same time. You must choose your own line, as I hope to do, and it will probably be color.
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By working hard, old man, I hope to make something good one day. I haven't yet, but I am pursuing it and fighting for it . . . .
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If boyhood and youth are but vanity, must it not be our ambition to become men?
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If I were to think of and dwell on disastrous possibilities, I could do nothing. I throw myself headlong into my work, and come up again with my studies.
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It seems to me it's a painter's duty to try to put an idea into his work.
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We spent our whole lives in unconsous excercise of the art of expressing our thoughts with the help of words
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How right it is to love flowers and the greenery of pines and ivy and hawthorn hedges; they have been with us from the very beginning.
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The fishermen know that the sea is dangerous and the storm terrible, but they have never found these dangers sufficient reason for remaining ashore.
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I assure you that there's a lot involved in compositions with figures. ... It's like weaving... you must control and keep an eye on several things at once.
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If you work with love and intelligence, you develop a kind of armour against people's opinions, just because of the sincerity of your love for nature and art. Nature is also severe and, to put it that way, hard, but never deceives and always helps you to move forward.
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There is but one Paris and however hard living may be here, and if it became worse and harder even—the French air clears up the brain and does good—a world of good.
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Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, 'What do I care if there is a summer; its warmth is no help to me now.' Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.
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Painting is a faith and that it brings with it the duty to pay no heed to public opinion - and that in it one conquers by perseverance and not by giving in.
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It constantly remains a source of disappointment to me that my drawings are not yet what I want them to be. The difficulties are indeed numerous and great, and cannot be overcome at once. To make progress is a kind of miner’s work; it doesn’t advance as quickly as one would like, and as others also expect, but as one stands before such a task, the basic necessities are patience and faithfulness. In fact, I do not think much about the difficulties, because if one thought of them too much one would get stunned or disturbed.
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Paintings have a life of their own that derives from the painter's soul.
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My great longing is to make those very incorrectnesses, those deviations, remodellings, changes in reality, so that they may become, yes, lies if you like - but truer than the literal truth.