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I am astonished at the high prices paid for works by painters who are dead, prices none of them could expect when they were alive. It is a kind of tulip trade, in which living painters suffer but do not profit.
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I am always in the hope to express the love of two lovers by a marriage of two complementary colors - colors which marry each other... complement each other as a man and a woman do.
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If the storm within gets too loud, I take a glass too much to stun myself.
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Gauguin says that when sailors have to move a heavy load or raise an anchor, they all sing together to keep them up and give them vim. That's just what artists lack!
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The sight of stars always sets me dreaming just as naively as those black dots on a map set me dreaming of towns and villages. Why should these points of light in the firmament, I wonder, be less accessible than the dark ones on the map of France? We take a train to go to Torascon or Roven and we take death to a star.
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I had a new idea in my head... this time it's just simply my bedroom, only here colour is to do everything, and, giving by its simplification a grander style to things, is to be suggestive here of rest or of sleep in general. In a word, to look at the picture ought to rest the brain or rather the imagination.
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Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.
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Whoever lives sincerely and encounters much trouble and disappointment without being bowed down is worth more than one who has always sailed before the wind and has only known prosperity.
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Love is eternal – the aspect may change, but not the essence. There is the same difference in a person before and after he is in love as there is in an unlighted lamp and one that is burning. The lamp was there and was a good lamp, but now it is shedding light too, and that is its real function. And love makes one calmer about many things, and that way, one is more fit for one's work.
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Sometimes I long so much to do landscape, just as one would go for a long walk to refresh oneself, and in all of nature, in trees for instance, I see expression and a soul.
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The more ugly, old, nasty, ill, and poor I become the more I want to get my own back by producing vibrant, well-arranged, radiant colour.
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To express a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones.
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Do not become the slave of your model.
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Well, do you know what I hope for, once I allow myself to begin to hope? [...] That you find in your love for people something not only to work for, but to comfort and restore you when there is a need.
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It is not only by one's impulses that one achieves greatness, but also by patiently filing away the steel wall that separates what one feels from what one is capable of doing.
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Still, there is a calm, pure harmony, and music inside of me.
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There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.
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What I need is courage, and this often fails me. And it is also a fact that since my disease, when I am in the fields I am overwhelmed by a feeling of loneliness to such a horrible extent that I shy away from going out. But this will change all the same as time goes on. Only when I stand a painting before my easel do I feel somewhat alive. Never mind, this is going to change too, for now my health is so good that I suppose the physical part of me will gain the victory.
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At present I absolutely want to paint a starry sky. It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens. If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance. And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky.
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Keep your love of nature, for that is the true way to understand art more and more.
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When we are working at a difficult task and strive after a good thing, we are fighting a righteous battle, the direct reward of which is that we are kept from much evil.
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Color in a picture is like enthusiasm in life.
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What am I in the eyes of most people - a nonentity, an eccentric, or an unpleasant person - somebody who has no position in society and will never have; in short, the lowest of the low. All right, then - even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart.
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The uglier, older, meaner, iller, poorer I get, the more I wish to take my revenge by doing brilliant color, well arranged, resplendent.