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I take great care of myself by carefully shutting myself away.
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Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.
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It is true that every day has its own evil, and its good too. But how difficult must life be, especially farther on when the evil of each day increases as far as worldly things go, if it is not strengthened and comforted by faith. And in Christ all worldly things may become better, and, as it were, sanctified. Theo, woe is me if I do not preach the Gospel; if I did not aim at that and possess faith and hope in Christ, it would be bad for me indeed, but no I have some courage.
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For my part I know nothing with any certainty, but the sight of the stars makes me dream.
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One should arrive at leading one's conscience to a state of development so that it becomes the voice of a better and higher self, of which the ordinary self is a servant.
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Nature always begins by resisting the artist, but he who really takes it seriously does not allow that resistance to put him off his stride; on the contrary, it is that much more of a stimulus to fight for victory.
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Still, there is a calm, pure harmony, and music inside of me.
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I am astonished at the high prices paid for works by painters who are dead, prices none of them could expect when they were alive. It is a kind of tulip trade, in which living painters suffer but do not profit.
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Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.
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I want to do drawings which touch some people... In either figure or landscape I wish to express, not sentimental melancholy, but serious sorrow.
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Color in a picture is like enthusiasm in life.
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How to achieve such anomalies, such alterations and re-fashionings of reality so what comes out of it are lies, if you like, but lies that are more than literal truth.
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Love is eternal – the aspect may change, but not the essence. There is the same difference in a person before and after he is in love as there is in an unlighted lamp and one that is burning. The lamp was there and was a good lamp, but now it is shedding light too, and that is its real function. And love makes one calmer about many things, and that way, one is more fit for one's work.
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To know life, one must love many things.
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And painted portraits have a life of their own that comes from deep in the soul of the painter and where the machine can't go.
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I've never felt a desire (and I don't believe I ever shall) to bring the public to my work... a certain popularity seems to me the least desirable of things.
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Keep your love of nature, for that is the true way to understand art more and more.
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Accurate drawing, accurate colour, is perhaps not the essential thing to aim at, because the reflection of reality in a mirror, if it could be caught, colour and all, would not be a picture at all, no more than a photograph.
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I want to get to the point where people say of my work, that man feels deeply.
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There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.
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Suffice it to say that black and white are also colors... for their simultaneous contrast is as striking as that of green and red, for instance.
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Of course my moods change, but the average is serenity. I have a firm faith in art, a firm confidence in its being a powerful stream which carries a man to a harbor, though he himself must do his bit too; at all events, I think it such a great blessing when a man has found his work that I cannot count myself among the unfortunate. I mean, I may be in certain relatively great difficulties, and there may be gloomy days in my life, but I shouldn't like to be counted among the unfortunate, nor would it be correct if I were.
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I am unable to describe exactly what is the matter with me; now and then there are horrible fits of anxiety, apparently without cause, or otherwise a feeling of emptiness and fatigue in the head.
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The more ugly, old, nasty, ill, and poor I become the more I want to get my own back by producing vibrant, well-arranged, radiant colour.