Vincente Minnelli Quotes
Quotes to Explore
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Man is a physical and spiritual epitome of the Universe.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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To play four hands requires two people who have great affinity for each other.
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The striking thing about the Precious Blood is the bond it establishes between love and suffering in our experience, a bond that has become so close that we have come to think of suffering accepted with joy as the most authentic sign of love with any depth at all.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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I believe a relationship with a country is simply bound to the interests of two countries and not by personal issues.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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I came from a dance background, so that's what I did my whole teenage years. I was at the dance studio a lot. It just becomes your social scene and part of your life.
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People win Oscars, and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head. The moment I won the Oscar, I felt the teardown the very next day.
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The finest lesson I've learned with age is that all I need is a small team of comrades who inspire me, try not to judge me, and remind me when I'm judging myself.
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You are not a problem that needs solving.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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I would rather not have contentious interviews. I'd rather do 30 minutes with Charlie Rose, laid back in a La-Z-Boy chair.
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I definitely wouldn't shy away from doing another action based project, but I feel like my forte is more like playing real, ordinary people. I'm a girl's girl.
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When things are scary, or there's a struggle, I always think, 'How is this going to sound in my biography?' Sometimes I would just be living on protein shakes or the cheapest food that I could afford because I didn't have a lot of money.
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The thing I love about acting is that you can bring something very personal into the open and at the same time remain hidden because you're always playing a character in a story that someone else has imagined. You're always protected.
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No man is good enough to be another's master.
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I will always be grateful to Madrid. I never said a bad word about anybody there. Everyone there, even the president, treated me really well always.
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Designing Woman was written for the screen.
