Vincente Minnelli Quotes
Quotes to Explore
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I'm a huge fan of Taio Cruz. I'm really liking what he's doing at the moment. I'd love to do something with him.
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Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.
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I love all sorts of music. I'm really into Damian Rice and Amos Lee.
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It was on my fifth birthday that Papa put his hand on my shoulder and said, 'Remember, my son, if you ever need a helping hand, you'll find one at the end of your arm.'
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I am scared; I don't know what is going to happen to me. What was the point of working so hard and of being talented, to be rewarded like this? Never a penny, tormented all my life. It is horrible; one cannot imagine it.
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I think I'm a soulful singer.
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Every now and then a man's mind is stretched by a new idea or sensation, and never shrinks back to its former dimensions.
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Theater is a way to keep challenging myself.
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I've always been a fan of Fran Drescher!
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It might be useful to distinguish between pleasure and joy. But maybe everybody does this very easily, all the time, and only I am confused.
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A nonfiction author has to bring a platform with him - radio, a TV show or some kind of recognizable vehicle to help launch them. And the agent is really necessary to represent all of the business interests of the author.
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I think that's created a healthy environment. The comparisons to 'ER' were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.
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Those who believe that health is a commodity, on par with cars or computers, fail to grasp the basic economic lesson that health is very vulnerable to exposure to the markets, not least due to the profound asymmetries in power between the providers and consumers.
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Journalists have sometimes looked to my Twitter account and quoted me from there, and that's fine because that's public domain. I know exactly what I'm doing when I post something on Twitter; in a way, it's saying, 'This is who I am, and I don't have anything to hide.'
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But you can't realize, you can't know what another person goes through.
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I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.
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A new laboratory technique, positron emission tomography, uses radioactively labeled oxygen or glucose that essentially lights up specific and different areas of the brain being activated when a person speaks words or sees words or hears words, revealing the organic location for areas of behavioral malfunction.
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The most important tool of my trade was a mirror.
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I am a victim-oriented person. I like to see that the victims know that they have a voice.
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One should therefore not rely on mere words, but everywhere search for the intention behind them.
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I live halfway between reality and theater at all times. And I was born this way.
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Things change so fast, you can't use 1971 ethics on someone born in 1971.
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I started out to be a painter and was born into the theater.
