Vint Cerf Quotes
Quotes to Explore
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Imagination will often carry us to worlds that never were. But without it we go nowhere.
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I think that the training of architects allows you to see what will happen ten years ahead of time, or twenty. It's not guessing, it's not intuitive, it's based on research - and we may be wrong.
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I want audiences to see me in different avatars.
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Working with people from all walks of life, from full-time moms to CEOs at large companies, I've distilled many universal truths about success. There's a secret I've learned that works quite well at helping you to achieve what you want: Decide what you want.
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Big Business can make laws as easily as it can break them - and with as little impunity.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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I'm not the type of person that is forced.
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Our bombs are smarter than the average high school student. At least they can find Kuwait.
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Do you wish to be great? Then begin by being. Do you desire to construct a vast and lofty fabric? Think first about the foundations of humility. The higher your structure is to be, the deeper must be its foundation.
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I just respect Kanye as an artist.
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Jose Mourinho is a big star... he's cool.
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I would very much like to become a best-selling author.
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I do two months of strict dieting, so after fight night, I go for whatever my body is craving. It's usually sushi. But after that, I go home to Guadalajara and indulge in a lot of tacos before I have to start getting in shape for another fight.
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As long as you understand that you find happiness through family, friends and love, then money is just a nice bonus.
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I always put my fantasies in the realm of goals.
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I like to make my name of songs strange.
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When you sample something, you're using the crutch of borrowing chords and melodies from a song that's already great, that's already stood the test of time, that's already special. When you're trying to do it all from scratch, you're writing something brand new that has to stand on its own.
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I don't want to just go out and do song to song to song. I like to create things before the song actually kicks in, little things you do to excite the crowd.
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It takes great courage to be vulnerable. It takes enormous strength to be a real woman.
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When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
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Once you choose to enter a WeWork, you choose to be part of something more 'we' than 'me.' People start coming together. They'll see each other in the elevator; they talk in the stairways. There's a thousand other things they do.
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For 'Frost/Nixon,' everyone I spoke to told the story their way. Even people in the room tell different versions. There's no one truth about what happened in those interviews, so I feel very relaxed about bringing my imagination to the piece. God knows everyone else has.
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You know how it is. Every time you kiss someone else, in a way you always remember that very first time.
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In a town of 3,000 people there is no privacy. Everybody knows what everybody is doing.
