Xavier Durringer Quotes
I'm ready for all forms of dialogue about the film The Conquest. There will be a lot of political talk, but I don't think the film itself will be scandalous. For the French, there are so many emotions relating to Sarkozy and politicians in general that I think the film will generate a lot of passion, whether it be negative or positive. Above all, it's a fictional film. It was important not to make a documentary and to really pay attention to the images. From the choice of the actors to the mise en scene, the film is completely cinematographic. It's not just a boring political movie.
Quotes to Explore
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Fashion and music have always played off each other and certainly do for me; I love both so much. But there are definitely those moments when you're playing the right song at the right time in the right place, and it feels like the best job in the world.
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I look at 'Death Proof' and realize I had too much time.
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With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've got a face that was meant for a mug shot, and that's what I've been doing for the past thirty years.
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I couldn't stand back and watch the strong economy that my father envisioned go to ruins.
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I'm totally a geek.
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I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.
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When you're young and queer and closeted, you can end up in this place where you regard your straight peers as the enemy.
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I am fighting my natural body shape to do what I do.
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People want to imagine I spend every night going to premieres and putting on frocks and getting into limos, and yet I do that maybe twice a year, if that.
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We're in a world that celebrates things: success, beauty, money. And I reckon that's really about 4 per cent of the world. The rest of us are just getting on with it.
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Really, the '70s and '80s were a blur.
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Cannes is a sort of gladiators' arena, and that's the fun part of it. When you accept to come here to open the festival, you know you are going to be criticised. I have no problem with the fact that I expose myself and the movie, and it's normal that I can disagree with the way some people feel.
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Here is something no real celebrity will ever tell you: film acting is not very fun. Doing the same thing over and over again until, in the director's eyes, you 'get it right' does not allow for very much creative freedom... In terms of sheer adrenaline, film has absolutely nothing on theater.
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I live off a motto that says, 'yesterday is history, tomorrow is a mystery'. I have goals and agendas. Where ever I'll be tomorrow, that's where I'll be.
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It's nice to feel the fans are behind you. You shouldn't concern yourself with things like that - but it does matter.
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Concerts every night, autograph signings, endorsements, and so on. That's not what real life is about.
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I mean... directing is a holy, unpleasant experience, to be perfectly honest.
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I think a lot of people don't actually know me. They think, 'She's like this,' or, 'She's like that.' They say I have no emotions - I do, but you couldn't see them then. I had to keep them inside.
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I am always at a loss at how much to believe of my own stories.
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I've seen people spend days, if not months, researching and gathering data, but only at the end did they finally figure out what they were really looking for; then they have to redo a lot of stuff. If after a day or so you force yourself to put together your tentative conclusions, then you'll have guidance for the rest of your research.
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I'd like to do a really masculine film.
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I'm a big believer that we get the politicians we deserve.
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The mandate we have as Jews is for the story of the Exodus from Egypt to be retold every generation.
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I'm ready for all forms of dialogue about the film The Conquest. There will be a lot of political talk, but I don't think the film itself will be scandalous. For the French, there are so many emotions relating to Sarkozy and politicians in general that I think the film will generate a lot of passion, whether it be negative or positive. Above all, it's a fictional film. It was important not to make a documentary and to really pay attention to the images. From the choice of the actors to the mise en scene, the film is completely cinematographic. It's not just a boring political movie.
